Full Disclosure

March 30, 2017 by Taylor Quimby in Fauna, Flora

Nature documentaries and wildlife films transport us to places in the world that still feel wild, but what if the wilderness they present is staged? What if, in order to capture nature’s unvarnished beauty and conflict, filmmakers have to engage in a bit of fakery? In this episode we examine how deception is used to enhance the drama of nature documentaries, from Disney’s Oscar-winning film White Wilderness, to the incredible footage featured in the BBC’s Planet Earth II. Plus, we own up to some of the production tricks we use to make this podcast.

Nature Documentaries: The Good, The Bad, The Ugly

I’d love to say that I’ve never used TV as a parental crutch, but there are days when I’m trying to work from home, or am just plain exhausted, when I’ll do anything to keep my 5-year old son distracted for a solid hour. As a form of dubious justification for letting my flat screen babysit, I’ll put on something “educational”—which usually means choosing something from Netflix’s extensive collection of nature documentaries. The BBC series Life is a household favorite, or the new Planet Earth II. The basic philosophy is that learning about porcupines is more valuable than learning about Pokémon, that watching bats is better than watching Batman.

This behaviour has never been filmed before! Hatchling marine iguanas are attacked by snakes hunting on mass. This clip was taken from the Islands episode of Planet Earth II.

But then again, what’s so inherently valuable about the wildlife programs? Like all TV, the genre varies widely when it comes to quality. There’s the BBC stuff with the incredible “how-did-they-do-that?” shots, but there’s also the now infamous “Megalodon: The Monster Shark Lives”, a fake documentary that aired as part of Discovery Channel’s 2013 Shark Week.

“The question is not, is wildlife or nature programming educational,” says Cynthia Chris, author of Watching Wildlife. “The question is, what is it teaching? Is it teaching us factual things that will help us care for and protect the environment? Or is it teaching things that will encourage us to fear and disdain and destroy the environment?”

I can hear you groaning from here. Why does everything involving the environment turn into a finger-wagging message about social responsibility? I hear you. I don’t want to take the fun and wonder out of nature documentaries. That’s what makes them so great! But there are some ways we can watch them a little more thoughtfully even if we’re watching a show about a giant fictional shark.

Teach Younger Kids to Get Savvy: Listen For the Sound of Deception

The best nature documentaries are able to get incredible close-up shots of animals - so close you might wonder, how the heck did producers capture that amazing sound? Sadly, the truth is that they probably didn’t. Wildlife filmmaker and author of Shooting in the Wild Chris Palmer will tell you that when you hear a bird flapping it’s wings, that’s likely sound engineer opening and closing an umbrella. (I suggest that you go try this one immediately.)

We're taking you behind the soundproof doors into the world of Earth Touch's audio experts as they practise the finicky art of Foley & sound design. See exactly what it takes to enhance or recreate nature's diverse sounds and bring a wildlife documentary to life.

A lion tearing into a freshly killed antelope? That’s a someone cracking some fresh celery in half.

Not everything is totally faked, but footage shot in slow motion or sped up through time-lapse photography doesn’t capture audio at all, which means that whatever you’re hearing was at least captured separately and added in post-production. Sometimes, sounds are even created that don’t exist in nature at all. Frank Scheuring is a sound mixer and editor, and president of Capital Post Production. He also worked on the first Planet Earth series. He says that if you see something, you expect to hear something too. “A jellyfish probably isn’t going to make a sound at all, but if there’s no sound there, it’s less believable. It’s really just enhancing reality, and trying to bring [the viewer] into the environment.”

Dave Birch, audio manager at Earth Touch explains the art of foley.

Once you accept the truth that most nature documentary sound effects aren’t authentic, it can be a pretty big mood-killer. Is NOTHING real? But once you get used to the idea, it can make for an interesting game: try guessing if the sound you’re hearing is fake or not fake. Underwater scene? Fake. Slow-motion? Fake. Teeny tiny bird? Probably fake.

If you really want to get into it with kids, collect some household items, turn the TV to mute, and try making your own sound effects!

Introduce the Idea That They Aren’t Getting the Whole Story

Even the most reputable nature documentaries often steer away from issues like climate change, or deforestation, implicitly depicting the wild places of the world as pristine or untouched by human influence. That’s part of what makes them so beautiful: there’s a dignity to the elegance of the natural world it that feels timeless.

But it’s also pretty misleading, and both filmmakers and environmental philosophers have argued it’s counter-productive.

“It’s important that films carry a conservation message, and part of that message should be that people are not separate from nature,” says Chris Palmer. Palmer specializes in IMAX films, and says that getting those pristine shots we love is getting increasingly harder to do. “It’s hard to get a shot without a boat in the background, without a car in the background, without smoke, you know - there’s signs of people everywhere.”

This behaviour has never been filmed before! Hatchling marine iguanas are attacked by snakes hunting on mass. This footage was filmed for the Islands episode of Planet Earth II.

One interesting way to enhance the educational opportunity of a nature documentary is to have a map or globe handy while you’re watching. Occasionally pause the film to look up places featured in the program. How big is this island of seemingly un-fragmented wilderness? How close is the nearest human settlement? How might your impression of the scene change if you knew there was a safari tour bus just off-screen? Look out for “behind-the-scenes” videos that help illustrate how programs were shot and produced. It’s strange to see camera people, but it gives you a better sense of how filmmakers use their craft to get the desired reaction from the viewer.

A behind the scenes look at the snake/iguana scene, which reveals that the filming was - for the most part - continuous, and that the behavior being filmed is very real… Even if the sound is not.

TV shows like Nat Geo’s “World’s Weirdest” or “72 Cutest Animals” are a fun way for kids to learn about animal behaviors, and tend to feature rare or bizarre creatures that can really capture the imagination. The pangolin, which looks like a cross between an anteater and an armadillo, is arguably worth its appearance on Nat Geo’s “World’s Weirdest” series, but the fact that the pangolin is the most trafficked animal in the world goes unmentioned. According to the African Wildlife Foundation, some 100,000 pangolin are slaughtered every year for their scales. Two species of pangolin are listed as critically endangered.

This begs an important question for parents: is it enough that these programs build wonder for the natural world or must they also put a spotlight on pangolin poaching? I tend to think a light touch on the bad news is the best approach. Research has shown that exposing children to calamities beyond their control when they’re too young may actually cause them to become fearful and even more disconnected from the natural world. But by remaining alert to what is left out of these documentaries, it can help you to connect the dots once your kid is ready.

As They Get Older, Teach Them About How Things Have Changed!

Some of the “classic” wildlife documentaries of the past are just as dramatic as anything you’ll see on the BBC, but not always in the ways you might expect. Jacque Costeau is remembered as a charismatic oceanographer, explorer, and co-inventor of the aqualung. He is also celebrated as an early conservationist who believed in protecting the quality and life of our oceans. Frankly though, his films are hilariously cheesy for modern audiences, filled with pulpy adventure narration and unnecessary shots of Cousteau’s bare-chested crew lazing about his vessel. Aside from the claymation fish, Wes Anderson’s film The Life Aquatic is actually a pretty good recreation.

And yet, watching someone known for being a pioneer conservationist, Cousteau reflected the values of his day. One scene from the Academy award winning documentary The Silent World is especially shocking: Cousteau’s ship strikes a young whale, injuring it badly. The crew decides to end the whale’s misery (their words) by shooting it in the head. The now deceased whale’s blood attracts a number of sharks, who start shredding it to bits. It’s already a gruesome scene, but escalates to new levels of horror when Cousteau’s crew start “avenging” the whale (even though they were the ones that killed it) by hooking sharks onto the boat and butchering them with axes. The scene lasts several minutes, and is narrated by Cousteau himself without a hint of irony.

(Now that I think about it, this scene is pretty graphic, so it might be best to do this exercise once your kids are teenagers.)

The Silent World “Whale and Shark scene”

As abhorrent as this scene is now, it tells you a lot about how much our understanding of the natural world has changed in the last century. This film was shot before the famous “Save the Whales” campaign, before the establishment of the EPA, even before the founding of the Humane Society of the United States. Even for an ardent conservationist like Cousteau, sharks were viewed as killers and so the world was considered to be better off without them.

When nature documentaries during this era weren’t killing animals on screen for entertainment, they were sometimes doing it behind the scenes as part of film production. Disney’s True Life Adventure series is one of the worst culprits, which you’ll discover in Bob McKeown’s excellent documentary on the subject for the CBC’s The Fifth Estate. For older kids and adults looking to pull the curtain back on early nature documentary production, this is a must watch.

This is Bob McKeown’s original documentary on animal cruelty in Hollywood for the 5th Estate, which includes his investigation into White Wilderness.

Final Thoughts: Are Nature Documentaries a Form of Journalism... or Entertainment?

Examining the natural world is, in part, the vocation of scientists and conservationists, and so there is a distinctly empirical flavor to nature documentaries. As opposed to non-fiction films that focus on contentious social or political issues, nature - it would seem - is simple, even in all of its evolutionary complexity. But nature documentaries, rooted in science as they may appear, are not bound by the same ethical considerations that science or journalism are.

I asked Chris Palmer, do wildlife filmmakers see themselves as journalists or entertainers? “A bit of both,” he told me. “They have to be entertainers. If they don’t entertain their audience the ratings and box office numbers will be low, they won’t get rehired, and their career will be in tatters.” On the other hand, Palmer says, to call something a documentary is to claim that the work is accurate, truthful, and was responsibly produced. “The bottom line is that their are no rules; each filmmaker approaches this challenge in their own individual way.”

Elizabeth White, one of the producers for the new BBC series Planet Earth II, says that their filmmakers receive ethics training - something Palmer has openly advocated for. When I asked her how she sees herself, she said, “as a scientist and filmmaker who is trying to engage audiences through wildlife storytelling.”

By teaching your kids what’s real and what’s not when they watch nature documentaries, you’ll be equipping them to see the world with a healthy dose of skepticism. And preparing them to enter a world that won’t cleanly delineate between facts and fiction for them.

Also… if you do this right, they shouldn’t believe the megalodons are still alive.

Here's a handy flow chart to help you watch documentaries with a careful eye. | credit: logan shannon

Outside/In was produced this week by:

Taylor Quimby and Sam Evans-Brown, with help from, Maureen McMurray, Molly Donahue, and Jimmy Gutierrez. Logan Shannon was our digital producer.

A big thanks to Chris Palmer and Bob McKeown - more than thirty years on, Cruel Camera is still an amazing piece of journalism. A few years ago, they did an update on the show, and interviewed David Attenborough, and looked at how much has changed in wildlife filmmaking since the 80s.

Thanks also to Cynthia Chris. Her book Watching Wildlife traces more of the history of the wildlife genre, and digs into some really thorny philosophical questions about how we use animals as a proxy to reinforce cultural norms. We didn’t have time to get into it here, but it’s some heady stuff.

And special thanks to Elizabeth White and the BBC. She and the folks at Planet Earth have actually put out some behind-the-scenes footage of how they made the iguana snake scene, and some other amazing moments from the series. They’ve been really candid about their practices, so we’re not the only ones that are big on disclosure.

If you’ve got a question for our Ask Sam hotline, give us a call! We’re always looking for rabbit holes to dive down into. Leave us a voicemail at: 1-844-GO-OTTER (844-466-8837). Don’t forget to leave a number so we can call you back.

Music this week from Mon Plaisir. Check out the Free Music Archive for more tracks from this artist.

Our theme music is by Breakmaster Cylinder.

Outside/In is a production of New Hampshire Public Radio.

The Company Man

March 16, 2017 by Guest User in How We Use It, Energy

When he was just 38 years old, Mackie Branham Jr., a coal miner, was diagnosed with progressive massive fibrosis, a debilitating and terminal form of black lung, a disease that was thought to be a relic of the past; a problem when coal mining was at its peak. In this episode we hear from Branham and his family, in a collaboration with Producer Benny Becker who reported on the resurgence of black lung in coal country. We'll look into why, despite the severity of the illness and the large number of miners being diagnosed, it's not getting a lot of attention.

Mackie Branham Jr. | Photo: Benny Becker/Ohio Valley ReSource

For more information on the plight of Mackie Branham Jr. and other coal miners like him, and the resurgence of black lung, we encourage you to read/listen to the reporting done by Benny for Ohio Valley ReSource back in December of last year: "Fighting for Breath: Black Lung's Deadliest Form Increases"

After the story first aired, Benny and the Ohio Valley ReSource received many requests asking how they could help the Branhams. This is a follow-up to the story: "How to Help Those 'Fighting for Breath'"

These stories resulted from an investigation by NPR's Howard Berkes which uncovered an alarming trend of progressive massive fibrosis in Appalachia. Howard's original story can be found here: "Advanced Black Lung Cases Surge in Appalachia"

We also recommend watching Harlan County USA, the Academy Award-winning documentary from Barbara Kopple which follows a grueling coal miners' strike in Kentucky in the mid 70s.

In 2008, the National Institute for Occupational Safety and Health (NIOSH) produced this film, Faces of Black Lung which shares the stories of two miners suffering from black lung disease.

Outside/In was produced this week by:

Benny Becker and Sam Evans-Brown, with help from, Maureen McMurray, Taylor Quimby, Molly Donahue, Jimmy Gutierrez, and Logan Shannon.

Thanks to NPR and to Howard Berkes for sharing some of Howard’s audio from his reporting. Also, thanks to Jeff Young of the Ohio Valley Resource and to WMMT, Appalshop’s community radio station.

If you’ve got a question for our Ask Sam hotline, give us a call! We’re always looking for rabbit holes to dive down into. Leave us a voicemail at: 1-603-223-2448. Don’t forget to leave a number so we can call you back.

Music this week from Mon Plaisir. Check out the Free Music Archive for more tracks from this artist.

Our theme music is by Breakmaster Cylinder.

Outside/In is a production of New Hampshire Public Radio.

Bonus Episode: 3 1/2 Feet Under

March 09, 2017 by Taylor Quimby in How We Use It

Listen. If you want jokes and nuance, listen to Episode 30: The Death Machine. That’s where we do that sort of thing. This is a bare bones explainer (only pun, I swear) and resource list for readers who are interested in learning more about green burial and funeral practices.

What is Green Burial?

Green, or natural burial, is when a body is buried without the use of chemical embalming, big heavy hardwood or metal caskets, and burial vaults. People choose green burial for environmental, religious, and personal reasons. Public viewings and memorial services are still possible, even without embalming. On the whole, green burials are significantly cheaper than conventional burials. When paired with home funerals, another growing DIY movement, green burial can be even cheaper than cremation.

Green Cemeteries

Many conventional cemeteries require a burial vault - and therefore do not accommodate true green burials. However, there are two types of cemeteries that do allow green burial - conservation burial grounds, and “hybrid” cemeteries. Conservation burial grounds, like Ramsey Creek Preserve, are burial grounds that are used to further environmental conservation. These grounds look more like parks or nature trails than cemeteries, and often have strict requirements about things like headstones, flower plantings, and burial density. “Hybrid” cemeteries are conventional cemeteries that have set aside plots exclusively for green burial. These cemeteries are less dedicated to environmental pursuits.

State by State

Different states have different laws about who is and is not allowed to handle various aspects of the funeral process. Some states require funeral directors to be involved, others do not. In order to prepare for your own death, or the death of a loved one, you’ll need to do some research to see what options are and aren’t available.

What do you want to happen to your body when you die? Reply with your answer if you chose OTHER.
Listen to Ep.30: https://t.co/I8QdKju3Hy
— Outside In Radio (@OutsideInRadio) January 19, 2017

Cremation Options

If you choose to go the cremation route, here are some interesting things you can do with your ashes, but keep in mind, not all of these services and products get the thumbs up from green burial advocates. So if you’re looking to keep your impact minimal, you might need to do some additional research.

Help grow coral
Press them into a diamond
Have them pressed into a vinyl record
Put them in a special urn that gets placed under a baby tree

Resource List:

Download your state’s “Advance Directive” form
Check your state’s funerary laws. Please note: this list was compiled a few years back, so double-check any information with local resources if you can find them.
A NH guide to doing a DIY home funeral.

Outside/In was produced this week by:

Taylor Quimby and Sam Evans Brown, with help from Maureen McMurray, Logan Shannon, Molly Donahue, and Jimmy Gutierrez.

Again, special thanks to all the folks we’ve spoken to for these two green burial stories - and to Lee Webster.

Our theme is by Breakmaster Cylinder.

Additional music in this episode from Podington Bear and Blue Dot Sessions. Check out the Free Music Archive for more tracks from these artists.

Outside/In is a production of New Hampshire Public Radio.

Gnar Pow

March 03, 2017 by Guest User in Pursuits

Is skiing a sport reserved for rich people? It’s a question that has come up among the Outside/In crew a bunch this winter. Producers Maureen and Jimmy think so. They’ve never been skiing, and always associated it with exclusive resorts and tricked-out gear. Sam wants to prove them wrong.

In this episode, Sam takes his skeptical colleagues skiing for the very first time to prove that it doesn’t have to be a fancy endeavor. Will he succeed? Will it be wicked expensive? Will they enjoy it? Listen to find out.

“When did skiing get fancy?”

This was the question that set this all off. It came from Maureen McMurray, executive producer over here at Outside/In. Or at least that’s how I remember it.

“What makes you think skiing is fancy?” I probably didn’t say this in response, but I likely thought it. I started snowboarding because every Friday during the month of February my entire public school would go skiing. The mountain offered discounted tickets, and after a few years of being one of just a handful of kids to stay behind and choose between activities like calligraphy or cribbage, I scrounged together my odd-jobs money until I could get equipment. I’m reflexively defensive of skiing.

Both Maureen and our newest producer Jimmy Gutierrez had never been skiing, and so for me this kicked off a quest to convince them that skiing is not just a sport for “fancy people.”

But the truth is that today, I hardly do any alpine skiing. I essentially refuse to go unless there has been fresh snow in the past 48 hours. Even then, I tend to rely heavily on the “daily deals” that many resorts offer. The lift-tickets are simply too expensive, and I find the dollars-to-fun ratio to be much higher in cross-country skiing.

Nonetheless, I took them both to Loon Mountain, one of New Hampshire’s biggest and most expensive ski areas, where Jimmy revealed himself to be a quick study. “Too much rigmarole,” he said, “Price-wise, value-wise, would I ever do this again? I don’t think I would.” In one day he had reached the conclusion that I seem to have landed on after a decade on the slopes.

Maureen, on the other hand, was determined to try again, despite having had a rough day. “I was genuinely part angry and part humiliated,” she said, after getting down off the trails.

As a new skier, it’s hard to justify spending a small fortune for the privilege of falling down over and over while doing laps on the bunny hill. And in retrospect, going to one of the biggest and most expensive ski resorts for their first day on snow was simply silly. If all you need is a gradual incline, there’s no reason to shell out for big-mountain lift tickets.

So I recalibrated. Our second stop was the Veteran’s Memorial Recreation Area in Franklin, New Hampshire. This is a volunteer-operated community ski area that has a 100-year lease from the city, which cost it $1 back in 1961. Lift-tickets are only $20 for the day and it comes stocked with a basement full of donated equipment, free to use at your own risk.

This is not a hill that will keep experts enthralled for a full day: it has a rope-tow and a T-bar and only 230 feet of vertical drop. But as long as the snow is good, (a big if, given that the hill doesn’t have snowmaking) it’s perfect for beginners.

Little backyard ski hills like this used to be in virtually every town that had any kind of significant incline in New England. The “golden era” of skiing began in the 1930s, according to Jeremy Davis, founder of the New England and Northeast Lost Ski Areas Project. He says at the peak of the craze there were five or six hundred rope tows all across the region.

“That’s what’s really incredible about the whole thing, is you look at the sheer volume of these places, and they were pretty much everywhere,” said Davis, “I think it’s really hard for people to realize how many of these places there were.”

These ski areas were done in by a number of factors that lead to consolidation of the ski industry: rationing and travel bans during World War II took the first bite, increasing competition from mountains that were able to invest in new lodges and better grooming, not to mention higher costs for insurance and snowmaking today. In the end, smaller ski areas have all but ceased to exist.

In Ep. 33 @SamEBNHPR tries to teach @Moe_McMurray & @JimmyGootz to ski with...varying success https://t.co/tuTOC66K0k pic.twitter.com/bGlvsGxOcW
— Outside In Radio (@OutsideInRadio) March 3, 2017

But for new skiers like Maureen who find the big mountains intimidating, places like the hill in Franklin are hard to beat. “I love this,” Maureen said upon walking into the lodge and seeing the families seated next to a hot wood stove, outfitting their tiny children with second-hand boots and skis.

But, the truth is, the future doesn’t look great for these community ski areas. Last year, Franklin was unable to open at all, because the conditions were terrible all winter long and the outing club that runs the hill can’t afford snowmaking. “We rely on natural snow,” said Kathy Fuller, matriarch of the Franklin Outing Club, “and that’s an issue.”

In other words, these inexpensive, truly accessible ski areas are an endangered species. A 2012 analysis by an economist based in Canada forecast that in the 2020s, ski areas in New Hampshire would experience a 25-40% increase in the need for snowmaking. As these snowmaking expenses start to increase, this analysis forecast that even major ski areas in New England would start to go out of business. Of the 103 resorts the study modeled, it predicted only 30 would be economically viable in the 2070 to 2099 timeframe.

And that’s ski areas that make artificial snow. Those that don’t... how long can they last?

Skiing is not an inexpensive sport, but at least when I was growing up it was one that most kids in my public school class were able to afford. I think the question in my mind is, given the way things are going, will that be the case when my kids are ready to try skiing?

Outside/In was produced this week by:

Sam Evans-Brown with help from Maureen McMurray, Taylor Quimby, Molly Donahue, Jimmy Gutierrez, and Logan Shannon.

Special thanks this week go out to Veteran's Memorial Recreational Ski Area, Loon Mountain, and New England Lost Ski Areas Project.

Our theme music is by Breakmaster Cylinder.

Fantastic Mr. Phillips

February 16, 2017 by Guest User in Pursuits

In the late sixties, a soap factory in suburban Illinois discovered one of its outflow pipes had been intentionally clogged by an industrial saboteur. Does environmental damage ever demand radical action? And when does environmental protest cross the line and become eco-terrorism?

In a suburb of Chicago, there is a Dial soap factory.

One day in 1969, a pipe that carried industrial waste out of the plant got clogged and started to back up, causing the factory to shut down. When the employees located the problem they realized the pipe was full of debris that had been mixed with concrete.

By one account, it was as much as seven tons of junk clogging up the works.

Article detailing a second attempt by the Fox at clogging the pipe. | The Aurora Beacon News | march 24th, 1971 | Page 1

Next to the pipe was a sign, which said something along the lines of: “Armour-Dial pollutes our water.” (Back then, Dial was still a subsidiary of the meat-packing company Armour.) The sign was autographed with: “the Fox.” The signature might have been referencing the river that this sludge was polluting—the Fox River—but it came to be known as a pseudonym; a calling card for a mysterious environmental vigilante.

Seven years earlier, the state of Illinois passed a law that was supposed to limit the chemicals that factories like this could dump into rivers and lakes, but Armour-Dial had largely ignored it. Now, somebody was calling them out on it; under the cover of darkness, somebody had come to teach these companies a lesson.

This protest didn’t bankrupt Armour-Dial, but it was just the beginning of a years-long campaign that this anonymous crusader waged against the company. In 1975, six years later, the state of Illinois brought them to court, and told them to clean up their act; the Fox had beaten an industrial giant.

Today, we know who waged that secret campaign. When this all started, he was a high school biology teacher named Jim Phillips.

“He didn’t make a plan to be ‘the Fox’. He didn’t come out and say: 'Here’s what I’m going to do, I’m going to be a crime-fighter, I’m going to be an environmental sage!' or whatever,” says Rob Phillips, one of the Fox’s nephews.

“This is a guy who’s upset,” adds Jim Spring, another nephew. “This is an average American who saw an injustice and went, wait a minute, that’s ridiculous.”

The Fox is Born

Jim Phillips, according to his nieces and nephews, was the fun uncle. He never got married, never had kids, but kids loved him.

“It was such a treat to go spend the night out there on the weekends, and part of that was rambling around at night actually, just looking at stars, looking at nature,” says Nancy Spring-Epley, one of Phillips’ nieces. “We would wander up to probably a couple of miles from the house; we’d go out for hours at a time after dinner.”

This was a time when the waste products of the industrial revolution were starting to get totally out of hand. The year the Fox carried out his first caper was the same year that—being absolutely covered in oil slicks—the Cuyahoga river in Ohio caught on fire. This was the same time that Maine’s Androscoggin River was so polluted that vapors coming off it, supposedly caused the paint to peel off the sides of houses that faced it, inspiring Senator Ed Muskie to champion the Clean Water Act. It was the apex of industrial pollution in America.

A few states started to try to clean things up, but in Jim Phillips’ eyes, progress was too slow.

“Nobody seemed to care, well, he cared. And then he started demonstrating just how much he cared,” says Rob, “It cost people a lot of money when they found out just how much he cared.”

The stunts began to capture the attention of the media, starting with one stunt in particular. A few years after the first clogged drain at the Armour-Dial plant, the Fox took aim at the biggest steel producer in the country, which at the time had around 200,000 employees, US Steel.

“He collected together a big jar of the kind of stuff that they were dumping in the river. Just waste!” recalls Sandy Benhart, another niece. The Fox told newspaper reporters that he collected it from a drain that came directly from a US Steel plant in Gary, Indiana, and that he added some clams and fish for good measure. He also crafted a tiny coffin and laid three dead creatures inside: a perch, a crayfish, and a frog.

The Aurora Beacon News | December 23, 1970 | Page 1

Sandy actually accompanied her uncle on this raid. She says she, her mother, and sister Ginny all went into town on the train. “He preferred to operate legally, but nobody came and paid any attention, so he was absolutely a nervous wreck,” she remembers, “So Ginny and I were his cover.”

While they waited in the lobby, Jim went up to office of the company’s vice president, and declared “I am from the Fox Foundation for Conservation Education, and we have an award for US Steel for their outstanding contributions to our environment.” He then opened up the top of the bottle and dumped its contents on the lobby’s white shag carpet.

The stunt grabbed headlines all across the country, and the Fox had cemented his place in history.

A Widely Held Secret

The stunts kept coming. He took to hanging big signs in public spaces, shaming polluters: one was on a famous Picasso statue in downtown Chicago, another was a banner on a big railroad bridge. He put caps on industrial chimneys. He would hang dead skunks in the offices of CEOs.

After these raids, Jim Phillips would call the press. He would talk to them using a harmonizer to disguise his voice. He even spoke with television journalists.

These reporters kept his confidence. His campaign was covered by a nationally syndicated columnist, Mike Royko, who was very sympathetic to the cause. Royko wrote that he would receive angry phone calls from executives at the affected companies who would quote: “sputter and threaten lawsuits and demand to know who this dangerous character was.”

Later, Phillips got a job with the local branch of the EPA, which then meant he would sometimes be called as an official source by the same reporters who he had called to notify about a raid. You can still find articles where he is quoted twice, once as the Fox, and then later as a “Kane County environmental officer.” It’s unclear if some of these reporters knew what they were doing, or if this was simply serendipity.

But Royko never told. Nor did anybody for that matter.

“There were sometimes where he had to break windows on companies to put a sign in, or throw a skunk juice in there, and he would leave a money order to repair the window.”

— Jim Spring

For the nieces and nephews, when they were small, they were kept in the dark, but as they got older—usually around age 13—they each found out. “When we were little, I remember I was told it was Dick Young, who was his boss at the EPA in Kane county,” says nephew Jim Spring, “He just lied right to me.”

Jim Spring learned the truth by accident, after his junior high science teacher said they would get to talk to the Fox over a phone link-up, and Spring recognized his uncle’s voice. (As a side note, just think about this for a moment: Phillips was committing criminal acts, and high school teachers were asking him to speak to their classes.)

Article about the Fox in which Jim Phillips, a.k.a. the Fox is quoted. | The Aurora Beacon News | July 27th, 1984 | Page B4

It was in some ways, an open secret: kept widely, but still, somehow, closely. Phillips used to say that if he ever crossed the line, he’d be arrested the next day, because so many people knew who he was. This group included members of the local police department, who would occasionally help him on his raids by leaving notes in a bottle in a certain tree stump, notifying him of where and when security patrols would pass by his targets.

The Fox was not universally adored—you can find letters to the editor in the newspaper on both sides of the issue—but for three whole decades, his secret never found its way into the hands of people who would prosecute him. He was even caught by the police twice, read his rights, but never charged.

“There were sometimes where he had to break windows on companies to put a sign in, or throw a skunk juice in there, and he would leave a money order to repair the window,” says Jim Spring.

After his famous raid on the offices of US Steel, he heard that the odor of the effluent he poured on the carpet had made the secretary feel nauseous, so he sent her flowers.

Over time, the Fox’s raids became lower profile, and he dropped out of the limelight. But Jim Spring and Nancy Spring-Epley still remember the last raid they helped their uncle with, in 1988. They crossed a river, broke a window, and squirted a syringe-full of a chemical used in stink bombs into the headquarters of some small-time polluter.

Once he got back home from the caper, Jim Spring says he was shaking, couldn’t sleep and had to get himself a glass of scotch. “I remember thinking, ‘I’m married, I have a mortgage. There’s no way I can deny any of this.’” He recalls. “This is no longer a fun thing a teenager does with Uncle Jim; this is what adults do to fight corruption.”

But even as the Fox was winding down, others were picking up the baton of radical environmental activism. And some of them had very different ideas about how to get their message across.

Eco-radicals Rising

One night in October of 1998, eight fires erupted all across the ridges and peaks of Vail Mountain Resort. The fires went up one after another: snack-bars, chairlifts, and the largest building—the one that the news helicopters would circle around for hours as it went from a small blaze, to a structure fire, to eventually a smoldering pile of cinders—the Two Elks Lodge.

Immediately, investigators suspected arson, and found a trail of footprints from someone who ran down the mountain, following the path of where each fire was set. They found evidence that the fire had been set using five-gallon buckets full of diesel and gasoline. A few days after the fire, they learned they were right. An anonymous email, sent to a local radio station, said the fire had been set by a group called the Earth Liberation Front. They said the fires were set to protest the ski area’s expansion into an area they claimed was lynx habitat.

But after that, the trail went cold. For years, no arrests were made.

By some accounts the Fox was the first environmentalist who was willing to go outside of the law to try to make his point, but he certainly wasn’t the last. Not long after came Greenpeace, filming their confrontations with whaling ships and nuclear weapons testers. And then there was Edward Abbey’s Novel the Monkey Wrench Gang, in which a team of misfit eco-saboteurs traveled around the west, destroying billboards, disabling bulldozers, and destroying bridges. The book inspired groups like Earth First! (which is always written with an exclamation point, by the way) to start doing things like hammering clandestine metal spikes into trees that would damage loggers’ chainsaws if they tried to cut them down. And if you follow this lineage all the way to the end, or at least what so far has effectively been the end, you find the group that set fire to the lodges in Vail: the Earth Liberation Front.

The ELF had a things in common with terrorist organizations: they operated in cells, which were organized individually, not directed by some top-down central office. They didn’t know who the members of other cells even were. The most active groups were in the Pacific Northwest, and they targeted companies who they believed were doing environmental harm, including meat-packers, timber companies, SUV dealerships, and biotech research labs. They made sure that these buildings were unoccupied, so no one was ever injured, but they caused massive property damage. They watched as timber companies harvested stands of old-growth forest with 500 years old trees, and felt that the action happening through official channels wasn’t working.

“To them, they say this as if somebody were knocking down Notre Dame, just destroying something that’s completely irreplaceable and sacred,” explains Marshall Curry, director of the Oscar-nominated documentary, If A Tree Falls: The Story of the Earth Liberation Front.

The Earth Liberation front succeeded in one way. They got headlines. Those headlines, though might not have been the ones they were hoping for. While the Fox was seen as a vigilante, the ELF were branded Eco-terrorists and virtually every story about them led with this term.

“My understanding is that that was actually a term that was coined by Ron Arnold, who was kind of a spokesman for the extraction industries, and was famously quoted as saying he wanted to destroy the environmental movement,” says Curry. “It’s an incredibly clever term because it rolls off your tongue and it sticks in your ear just like the best marketing campaigns.”

This term may also have stuck because visually, their actions looked a lot like terrorism. Images of multi-million dollar ski lodges in Vail being turned into smoldering holes in the ground, or of Hummers exploding as fires reached the gas tanks, attracted news camera crews like moths around a campfire. Despite the careful avoidance of casualties, the group was perceived as violent extremists.

And this perception undermined their success.

“It’s an incredibly clever term because it rolls off your tongue and it sticks in your ear just like the best marketing campaigns.”

— Marshall Curry

“I spoke to people in Vail who were part of the protest movement against the expansion of the ski resort in Vail. And they told me they had built a really great coalition there of old lady bird watchers and yuppies who wanted to ride their mountain bikes and crunchy old hippies and scientist environmentalists... and that when the fire happened there, suddenly everybody said, ‘oh jeez, I don’t want anything to do with these crazies,’” Curry explains. “Suddenly the coalition completely splintered, the ski resort completely won the PR battle, and it completely undercut their support with the mainstream.”

Compared to the 1960s, when protesters of all kinds were taking to the streets and demanding changes of all sorts, the ELF was operating in the post-9/11 era: the time of the USA PATRIOT Act, and the War on Terror.

The FBI launched "Operation Backfire", where they managed to convince one member of the ELF to turn on his co-conspirators, and then travel the country wearing a wire, and getting them to incriminate themselves on tape. Thirteen men and women were arrested. Many turned state’s witness in exchange for avoiding jail time, but a few did not and were eventually convicted on a charge that included a “terrorism enhancement.”

So, Is this "Terrorism"?

Marshall Curry says the activists he spoke to maintain that their activities are closer to something like the Boston Tea Party, and call it “symbolic property destruction.” But at the same time, the victims of the arson felt differently.

“In their minds, the essence of terrorism is: are you trying to inflict fear on somebody,” says Curry, “They get a call in the middle of the night that suddenly their office or their factory or their life’s work has been burned up, and I have to say that if somebody lit my office on fire, and destroyed the only files of movies that I had been working on and sent a threatening communique, I would say that yes, that I would consider that to be terrorism.”

Terrorism has a legal definition, but it also has an emotional definition. Whenever I’ve told people about the Earth Liberation Fronts actions—arson, spray painting slogans on walls, using splashy media stories to try to get their message out—I watch their faces, and what I see is horror.

We can imagine our homes being burnt to the ground and our way of life being vilified, and that is terrifying. But is it terrorism?

Marshall Curry says the sister of one of the convicted ELF arsonists, who is not at all sympathetic with her brother’s cause, told him something that he will never forget. She says she grew up in Rockaway, in a neighborhood full of cops and firefighters, which was devastated with families that lost their fathers in 9/11.

“She said, ‘I know what terrorism feels like,’” says Curry. She says that to use the same word to describe what Al Qaeda did to those families to describe burning down an empty building, “is just a twisting of that word.”

But a judge disagreed. Based on the law, using ignition devices to light property on fire to convey an ideological message, that’s terrorism.

Both the Fox and the members of ELF were engaging in illegal activity. But these two stories feel very different. Somewhere between the Fox pouring caustic chemicals on the carpet of the corporate offices of a major manufacturer, or breaking a window to squirt smelly chemicals into a polluter’s building—somewhere between that and burning down a building, it seems that a line is crossed.

After this line society says: “That’s not a reasonable way of making your point.”

We can ask ourselves, if the Fox were to come back today, what would his community think? The same low-level law-breaking that was accepted in the era of the anti-Vietnam protests and the Civil Rights movement, might have been seen very differently in the early 2000s, right after 9/11. Maybe in post 9/11 America, his acts of small-scale industrial sabotage and vandalism would be seen as unpatriotic.

Jim Phillips’ had diabetes, and died in 2001 at age 70. It was only after his death that it became public that he was the Fox. Big newspapers all around the country, including the Chicago Tribune, but also the New York Times, and the Los Angeles Times ran an obituary, laying out his whole story. Once the secret was out, far from repudiating him, the community thanked him. They put a plaque with his symbol in a local riverside park.

There’s a question that we’ve been kind of dancing around, here.

Dumping waste into a river has an immediate, visible effect that can inspire outrage in a community. Meanwhile, the impacts of something like global warming are slow and harder to see. But on the other hand, for the first time those impacts are now on our doorstep.

Given the events of recent weeks—references to climate change getting scrubbed from the EPA’s website, government employees creating alternate twitter handles to broadcast facts about climate change, and the new administration stepping aside to clear the way for the Keystone and Dakota Access pipelines—it seems fairly clear that the US government isn’t about to do anything about climate change. So, what will environmentalists do about it?

As the possibility for action through official channels is beginning to close, we might be on the verge of seeing a whole new wave of copycats, or copy-foxes, as it were.

How will society receive them? I guess we’ll find out.

The Aurora Beacon News | June 13th, 1976 | Page 17

The Aurora Beacon News | January 22, 1980 | Page A5

Aurora Beacon News | April 9th, 1971 | Page 1

Outside/In was produced this week by:

Sam Evans-Brown with help from, Maureen McMurray, Taylor Quimby, Molly Donahue, Jimmy Gutierrez, and Logan Shannon.

Many thanks this week to Rob Winder from the Aurora Public Library in Illinois and to Steve Lord with the Beacon News for helping to fill in the gaps in the story of the Fox.

Music this week from Jason Leonard, Blue Dot Sessions, Podington Bear, El Palteado, and Jahzzar. Check out the Free Music Archive for more tracks from these artists.

Our theme music is by Breakmaster Cylinder.

Outside/In is a production of New Hampshire Public Radio.

Ask Sam | Snow Fleas, Wind, Mount Mitchell

February 02, 2017 by Guest User in Ask Sam

Every so often, we take some time out from telling stories to answer questions from you, our friends and listeners. These questions have been piling up, and so we thought we’d dig through them and bring you some of the more interesting ones.

If you want us to answer your question, record your question on a voice-memo and send it to outsidein@nhpr.org.

Enough preamble, to the questions!

Question 1. Eric: I’m standing in the middle of Blue Job State Forest in Strafford, and it just snowed, and there are all these tiny little black bugs crawling around the snow. They look like snow fleas? I don’t know what they are. But there’s probably, oh there’s got to be billions of them, because they’re everywhere. And I was just wondering, what are they and where on earth did they come from?

A local caller! If you’re an out-of-state listener, Blue Job is a a little knob with very nice views in southeastern New Hampshire, but this particular type of tiny beasty is found all over the globe. Snow fleas are a type of springtail (cue link to a Wikipedia page!) which are one of the most abundant types of creatures on earth. They are literally everywhere there is dirt.

If you cast your memory back to our episode about all of the hidden biodiversity in a routine traffic circle, you might remember that we talked about microarthropods — which is science speak for itsy-bitsy bugs — as being the largest critter in the soil food web. Springtails are one of the creatures we were talking about. The munching that they do is one of the mechanisms that serves to decompose organic matter that falls onto the ground. Up here in New England, we call them snow fleas (and not dirt fleas) because, even though they live in the dirt, we only tend to notice them when they come out onto the snow, thanks to the contrast between their tiny black bodies and the white surface.

There’s an incredible variety in the number of species of springtails, and much we don’t know about the lifecycles of all the individual species, but there is a lot of interest in them because of their ability to survive and even be active in extremely cold temperatures.

One additional fun-fact. Springtails are useful to folks who care for insects in cages, like Gwen Pearson who manages Purdue Universities Insect Zoo. Because springtails eat mold and fungus spores, they can be used to keep the sultry enclosures of tropical creatures free of gunk. In fact, you can buy them in bulk on Amazon for just this purpose.

Question 2, Aubrey: I wanted to ask Sam about wind, because anecdotally I feel like there’s a lot more wind recently, than there was in the past. I’m just wondering if there’s any correlation between increased wind events and our global warming situation. It seems like intuitively, if there’s more energy in the atmosphere, there should be more wind, but maybe I’m just imagining it.

Full disclosure, Aubrey is my lovely wife (and as I often joke — as a powerhouse middle school science teacher — the source of all of my knowledge). We have talked about this question for a long time, and she finally got fed up with me stalling and called it into the hotline so that I’d be forced to answer it.

There’s also a fairly easy answer, Ian Young of the University of Melbourne has been working on the surprisingly tricky task of teasing out global trends in wind speed. As you might imagine, its a big world and there are a lot of places that wind isn’t getting measured second-by-second, and satellite wind data can be a little noisy. But despite the challenges, he has an estimate, largely derived from wind speeds over the oceans.

“What our observations show is that for an area like the northeast coast of the United States we’ve seen wind-speeds increase, on average, by about seven percent,” Young told me when we managed to connect over the phone (at 11 PM his time, and 7 AM ours).

The tricky business for professor Young has been determining whether that increase is due to a general increase in background windiness, or a rise in the power of extreme wind events… stronger storms. He says they aren’t yet sure, but he leans towards stronger storms.

This discussion also yielded a fascinating revelation from executive producer Maureen McMurray: she hates wind chimes, and equates hanging up a wind chime within ear-shot of your neighbors to blasting Steely Dan’s Black Cow from your back porch all-day, every-day.

PSA: Take in your wind-chimes, people.

Question 3. Alex: I was just in North Carolina and went up to Mount Mitchell, which had a sign very proudly proclaiming it to be the highest peak east of the Mississippi, but we all know that’s false because the highest peak east of the Mississippi is Barbeau Peak, up on Ellesmere Island. So, I’m wondering how the state parks system can get away with such a catastrophic lie to the public?

Credit: mitchell adams via flickr cc, https://flic.kr/p/zXuvyh

Wow, Alex. Tell us how you really feel? He is correct, ladies and gentlemen, anyone with access to a search engine can indeed discover for themselves that Barbeau Peak is taller than Mount Mitchell. (Although it looks somehow… sadder.)

This is clearly a question of semantics. I think we can all agree that since if you go far enough east you’ll eventually circumnavigate the entire globe and find yourself back at Mount Mitchell, this sign is missing some sort of important qualifier. Is it the highest peak east of the Mississippi in America? In North America? WEST OF THE PRIME MERIDIAN?! MY GOD WHICH IS IT?

Leaving aside how exactly this “lie” is “catastrophic,” we at Outside/In do believe that accuracy is paramount. As such, in collaboration with Alex, we have come up with a proposed solution. If any listener happens to hike Mount Mitchell in the near future, try to figure out a way to make the sign more accurate. Using a method that does not deface the sign, please! Add a note using a sticky note, perhaps. Or stand in front of the sign without your own hand-fashioned placard which adds an appropriate geographical caveat afterward.

Once you’re done, send us a picture, and maybe the internet will make it go all viral. (Ok, I confess, I probably don’t know how viral things on the internet work.)

Question 4. Maureen: In the last few weeks we have had very cold weather and then a warm up and then it gets cold again. As the snow has melted and I’ve been out walking, I’ve noticed what looks like rocks that have sunk into the ground. My guess is that the rocks stay colder and heavier longer and the soil warms and expands, or loosens and the cold heavy rock sinks, then the ground refreezes over it. Can you explain this phenomenon?

This one came in over email. And you know what that means: exclusive web only content!

I’ve been observing this phenomenon in my own back yard, Maureen, and what you’re witnessing (or at least what I’m witnessing and assuming is the same at your house) is the formation and later melting away of needle ice.

Basically, what happens is that when the soil is above freezing but the air is above freezing, moisture in the soil is drawn towards the surface (through capillary action, the same process that plants use to send water from the roots to the leaves) and as it rises it freezes in a column. As it rises it brings the mud or sand around it up as well. If the ice then melts (as it has done numerous times this winter in New England… *sigh*), you’re left with disturbed, aerated, slightly taller soil. So what you’re actually seeing is the dirt around the rocks rising up, not the rocks sinking down. Oh, those tricksy rocks!

Indeed, any gardener from New Hampshire will tell you that far from sinking because of their density, rocks in New England soil have a tendency to “heave” their way towards the surface as they undergo freeze-thaw cycles. This occurs for the same reason that you always find all the brazil nuts at the top of a can of mixed nuts.

As a fun bonus, needle ice can also be incredibly beautiful, if you’re willing to get down on your belly and look.

Outside/In was produced this week by:

Sam Evans-Brown with help from Maureen McMurray, Taylor Quimby, Molly Donahue, Jimmy Gutierrez, and Logan Shannon.

Our theme music is by Breakmaster Cylinder.

The Death Machine

January 19, 2017 by Taylor Quimby in How We Use It

When Ryan and Sinehan Lessard first started dating, they discovered they have something strange in common: after they die, they both want to “become a tree”. This is the story about a growing number of people who want to forgo standard funeral practices like embalming, caskets and big granite monuments in favor of a more natural burial - and why that’s easier said than done.

This is one of those stories that sort of left us with just as many questions as it did answers, and if you’re in the same boat, send your funeral queries to outsidein@nhpr.org. We’ll see if we can’t track down an answer and get back to you.

Outside/In was produced this week by:

Taylor Quimby, Sam Evans-Brown and Maureen McMurray, with help from Molly Donahue, Jimmy Gutierrez, and Logan Shannon.

Special thanks to Kelsey Eriksson, who hosts a podcast called Deathcast - she passed along the idea of doing a green burial story to us, but if you want to hear more about the gross details of embalming and other aspects of the funeral industry - check it out.

Also, thanks to Lee Webster, who is on the board of the National Home Funeral Alliance, and came by to answer some of our weirdest death questions.

Music this week from Podington Bear and Blue Dot Sessions.Check out the Free Music Archive for more tracks from these artists.

Our theme music is by Breakmaster Cylinder.

A House Built on Sand

January 12, 2017 by Guest User in How We Use It

A quick note: this episode previously appeared in our podcast feed back in the spring of 2016, as an individual segment in one of our hour-long episodes we produced to air on New Hampshire Public Radio. So you might have already heard it, but…you might not have!

Coastal communities of every partisan stripe are wrestling with the reality of rising seas. But when you’ve built a life centered around your dream home by the shore, the decision to pull up stakes and leave is a wrenching one.

This story was a collaboration with WBEZ and their project, Heat of the Moment: Everyday Life on a Changing Planet. You can see more photos from Nahant here.

Nahant, Massachusetts is a rocky crescent moon-shaped piece of land that juts out into the Atlantic Ocean just north of Boston.

For its entire history, it’s been at the mercy of the ocean.

To get to the town, back in the 1800s, you would cross a long beautiful beach at low tide that connected Nahant to the mainland. At high-tide, you had to take a boat. These days there’s a four-lane road built on that beach, and it sits just a few feet above high tide.

Lincoln Wharf, upper end, Steamers for Bass Point and Nahant, corner of Commercial Street and Battery Street | 1899

“When the weather’s good in the summer, there’s no prettier, nicer place. We have a private beach, we have a great view. The shipping lanes of Boston come right in front of our house, so all the big ships that come in we can see. And I love it, I love my house,” said Dave Lazzaro, a retired bartender and a wood worker, as he sat in his living room on a windy spring day.

“When the weather’s good in the summer, there’s no prettier, nicer place.”

— Dave Lazzaro

The house he shares with his wife Chris is filled with his carvings -- it’s kind of a comforting nautical clutter. They have lived on Willow Road, in a house that at high tide is a stone’s throw from the water, for nearly 50 years.

“I raised a family here,” he said, matter-of-factly.

The Dangers of Waterfront Living

Waterfront property tends to be expensive. More than 120 million people live in coastal counties in the United States -- that’s more than a third of the country.

But most people living by the water know -- you get the beautiful summer days, but also the brutal storms. There are two storms that people who have lived in Nahant for a long time talk about: the Blizzard of 1978, and what everyone here calls the “No-Name Storm” in 1991. If you live anywhere else, you’ve probably heard that second one called the Perfect Storm… they made a movie about it.

“When a storm comes in, the house shakes. You can literally feel it. And when those big waves hit the seawall, you can see movement, see curtains moving,” Dave Lazzaro said. “In the blizzard of ‘78 I had put plywood up over the windows, but when that got knocked in, there was waves carrying four-by-eight sheets of plywood through the living room, and if one of those had hit, we would have had broken bones or been underwater.”

“The unfortunate thing is what we’re really facing in so many of these coastal areas is what we can rightly call an extinction threat.”

— Sam Merril

As the seas rise, climate scientists predict devastation will become more and more common. Higher seas mean even a less powerful storm could push the tides up over Nahant’s seawalls. Around the country, as many as 12 million people could be at risk because of sea level rise.

“The unfortunate thing is what we’re really facing in so many of these coastal areas is what we can rightly call an extinction threat,” said Sam Merril, an engineer with GEI consultants, an engineering firm that designs coastal infrastructure. “The extinction of a community. We don’t know how to deal with extinction. It’s not really a conversation in our public sphere.”

In the face of such potential change, Merrill says there are three options for action: “fortify, accommodate, and relocate.”

Fortify, accommodate, relocate. In other words, you can brace for things getting worse, you can try to adapt to live with the occasional flood, or you abandon your home and flee.

If this sounds like a simple choice, spend some time in a place like Nahant, where people are facing these choices. When you do, it’s gets clearer that each of those options is a lot more complicated.

Fortifying Your Property

Let’s start with fortify-- choosing to stay and fight. In Nahant you can see this just a few doors down from Dave Lazzaro, in Ken Carangelo’s house.

He’s single, no kids, and is an executive at a big company in the film industry. He and his neighbors each own a section of an interlocking seawall. Carangelo’s house was built in the ‘90s after the Perfect Storm undermined the old wall. It’s pretty imposing: tall enough that you can’t reach to the top of it from the beach, and even more concrete is buried under the sand.

“And everything that’s down there has a solid footing and kevlar-coated rebar, so the salt doesn’t get to it as much,” Carangelo explained.

He bought this house in 2008, but says the seawall cost the previous owners more than $200,000. “It’s the equivalent of building a sandcastle,” he said, “and you kind of know what happens after a while. The ocean will do what the ocean’s gonna do. So depends how hard you wanna fight it I guess.”

“I don’t think it’s feasible to protect every community.”

— Sam Merril

Plenty of people in coastal communities believe the federal government should help pay to protect these sandcastles, and that’s true in Nahant too; one local official told me he thinks the Army Corps of Engineers should put a breakwater in Nahant Harbor.

But Sam Merrill, the coastal engineer, says the cost of protection -- especially if you’re trying to protect every building, from every storm, in every community in the country -- could run into the billions every year for a century.

“I don’t think it’s feasible to protect every community,” he said.

Accommodating the Storm Waters

So how about accommodating? That second option on our list means trying to live with flooding and find ways to let the water flow in and out without causing too much damage.

In Nahant, they’re trying that too.

Enzo Barile, a local elected official, gave me a tour, pointing out newer houses that have been built to withstand moderate flooding. “Seawalls can only do so much. You’re not going to stop the Atlantic Ocean,” he said.

Barile grew up in Nahant. He owns a garage in town and can point out where all the families of mobsters used to live. He says the biggest accommodation Nahant has made is keeping a lot of its low-lying areas out of development. There’s a baseball field, a golf course, and a small bird sanctuary all built into some of the lowest areas of the town.

After centuries of habitation, Nahant has built seawalls to protect some of the most flood prone locations. But despite its efforts, it is one of the most at-risk towns in the state. | Photo: Sam Evans-Brown

“Seawalls can only do so much. You’re not going to stop the Atlantic Ocean.”

— Enzo Barile

And there’s even a pond at the low-point of the town’s golf course, and when storms come they put giant bilge pumps in to drain the town, and make room for the water that’s on its way.

“So we actually drain the town down, before we know there’s a major event gonna come, north’easter… we drain it right down,” said Barile.

But despite the seawalls, and the open space, Nahant has some of the worst flooding in Massachusetts. There are only two towns in the state that have received more per capita in federal flood insurance claims.

What’s more, nearly 50 homes in Nahant are places called “repetitive loss properties.” These are buildings that have had more than two major flood insurance claims in the past 10 years -- kind of the definition of having your home in a risky spot. These homes make up something like one percent of all the buildings covered by the flood insurance administered by the Federal Emergency Management Agency (FEMA), but that one percent accounts for nearly 40 percent of the claims.

Even Enzo Barile -- a lifelong Nahanter -- thinks there’s a point after which you shouldn’t get paid to rebuild a home in a spot like this.

“Where do we draw the line? I don’t know,” Barile began. “Personally I think that once FEMA has paid you, if they’ve paid for your home and you’ve lost it, because it’s in a ridiculous spot... enough’s enough. We have just to say no, because the country is paying for that now.”

Moving Away From the Water

This brings us to relocation -- just move. That third option on our list -- maybe more than the others -- seems so simple as a hypothetical. But in real life, it’s not even close.

Consider Dave Lazzaro, the retired bartender who likes watching the ships go by. His home on Willow Road has been flooded six times over the past 40-some years. He doesn’t question that the seas are rising.

“Storms are getting more intense and there are places where once you can live, that now you can’t live. I don’t think of Willow Road that way,” he said.

And that’s the thing; Nobody thinks this way about their own home. Even if logically they know the odds… which Dave does.

“Is this house going to be safe in the next 25 years?” he said. “I don’t know about that, because those storms that come in, if you’re in the path, you’re in trouble.”

When you’re talking about other people’s houses by the sea, and how risky those are, it’s much easier to distance yourself and look at the facts. When it’s your home, the view gets blurrier.

Dave and Chris Lazzaro have lived in their home on the water for decades. Over the past 50 years the home has sustained flood damage a half dozen times. Twice - in 1978 and 1991 - that damage was serious. | Photo: Sam Evans-Brown

“Storms are getting more intense and there are places where once you can live, that now you can’t live.”

— Dave Lazzaro

This is where flood insurance comes in. The price that people pay should be an indicator -- a clue -- that sooner rather than later, you will be in trouble.

I asked Dave and Chris if they would be willing to take the risk of living in their home without flood insurance. Dave answered immediately “No.” After a short pause, Chris said: “Yes.”

Even in one household, figuring out where and when to draw the line is complicated, and the signal of risk that flood insurance sends gets all mixed up in your love for your home.

And that risk signal gets more muddled when federal flood insurance subsidies don’t reflect the true risk of living in the sorts of flood zones.

For example, many older, riskier properties covered by federal flood insurance are grandfathered into artificially low rates. For example, after Hurricanes Katrina and Sandy left the federal flood insurance program $23 billion dollars in debt and Congress tried to raise those rates, coastal property owners reacted immediately, filling their representatives’ inboxes and voicemails with complaints

Members of Congress like then-Louisiana Sen. Mary Landrieu, fought in 2013 to keep the subsidies.

“This is a major bill that passed without the data necessary to use either compassion or common sense,” she railed in a committee hearing at the time.

Less than two years after the change was passed, Congress watered it down: delaying some rate increases, and eliminating others.

This means, while insurance rates are rising for coastal residents, it could take another ten to fifteen years before many of them are paying what the private industry would consider a rate that truly reflects their risk.

“None of the options are terribly good at this point. I mean, in many places there are still whole communities where in fact we may be past the point where anything makes financial sense.”

— Sam Merril

So there is no clear message telling coastal homeowners whether they should relocate, at least not through the rates.

Sam Merrill, the coastal engineer with GEI consulting, thinks that without some sort of action, eventually many homeowners will be left holding the bag when their homes simply cease to be worth anything... or their homes are swept away.

“Generally it’s going to be bloody. The question is… can we help communities make it a little bit less bloody… and I… I think so,” he said. “None of the options are terribly good at this point. I mean, in many places there are still whole communities where in fact we may be past the point where anything makes financial sense.”

We often look for the easy -- least painful -- answers.
But when it comes to sea level rise in communities that could be facing extinction, there may not be a solution that makes it so no one gets hurt.

Outside/In was produced this week by:

Sam Evans-Brown and Logan Shannon, with help from Maureen McMurray, Taylor Quimby, Molly Donahue, and Jimmy Gutierrez.

We produced this episode in collaboration with the Heat of the Moment, which is a project of WBEZ in Chicago.

Flood insurance is a complicated topic, so special thanks this week to Dave Conrad, Steve Ellis, Howard Kunreuther and Carolyn Kousky who cumulatively spent hours explaining all of the nooks and crannies of the issue to me.

Our theme music is by Breakmaster Cylinder.

The Accidental History of Solar Power

January 05, 2017 by Guest User in Energy

If you’re even the least bit interested in taking some sort of personal action on climate change, you inevitably wind up researching solar power. And when you research solar power, you come across an obscure, hard-to-parse, seemingly content free term: net metering. Buckle up folks, we're going full energy nerd.

If you’ve heard of net metering, I challenge you to come up with a definition of what it is in the next 15 seconds; I bet you can’t. And yet, this indecipherable term has been the center of some of the most heated energy battles of recent years. California, Nevada, Iowa, Texas, Maine, Vermont, New York, Utah, Hawaii, and Massachusetts have all struggled with it. The fight over net metering in Nevada even attracted the attention of both of the main Democratic presidential hopefuls, Bernie Sanders and Hillary Clinton.

This battle is happening all over the country, state-by-state, and each fight has its own local flavor when it comes to this argument.

But what the heck is net metering? Why are we so worked up about something that, on its face, looks to be nothing more than a simple billing mechanism? And this is the question that gets me interested: Where the heck did this fight come from?

The answer to this last question is that net metering is something of a historical accident, born at the cross-roads of necessity and ingenuity, but without much forethought.

So read on, this is the accidental history of net metering.

The Father of Solar

Like me, Steven Strong is an energy nerd. Unlike me, he’s also a talented engineer and innovator. He’s a guy who, when Toyota came out with the Prius got to work hacking the thing, installing a lithium-ion battery back and turning it into a plug-in electric car, years before the car company was ready to do the same thing.

His office in central Massachusetts is small and unassuming, and when I met him there and commented on this, one of his employees smiled and said, “You’d never know that this is where ‘the father of solar’ works.”

Steven got his start as a young engineer working on the Trans-Alaska Oil Pipeline in the years of the Carter administration, but then there was the whole Arab oil embargo, there was a scandal where contractors were falsifying some of the required safety measures on the pipeline, and so he resigned and returned to Boston to become and architect and found his own solar design company.

“Back in the seventies, solar photovoltaic, which is what you’re probably thinking about when I say solar panels, was something like 65 times more expensive than it is today, and electricity was cheap.”

This was in the early seventies, when solar power, besides being on satellites in outer space, wasn’t really a thing, yet. But Steven did manage to get work. In particular, he landed the contract to put a solar array, one of the first of its kind, onto a 286-unit, federally-subsidized, low-income housing complex. The building looks kind of like a big college dorm: it’s brick, and it’s pretty unremarkable looking.

aN EARLY PHOTO OF THE BUILDING, SOLAR PANELS STILL INTACT.

At this time, commercially available solar power was used to heat hot water. (To oversimplify, the systems were basically rows of pipes, painted black, that allowed the sun’s rays to heat up the water inside.) The solar system he installed was one of the largest solar thermal systems in New England, and he estimates it met something like 80% of the building’s annual hot water requirements.

But back in the seventies, solar photovoltaic, which is what you’re probably thinking about when I say solar panels, was something like 65 times more expensive than it is today, and electricity was cheap. But Steven Strong, who always wanted to push the envelope, convinced the developer of this building to let him install a couple of photovoltaic panels up there too.

But there was this question: how do you wire them up?

The Accidental Part

Whenever the sun is shining, obviously the electricity from the panels would go towards running all the stuff—water pump, hot water heaters, lights and fridges—in the building.

But then what happens when the sun’s not shining? Or what happens if the sun is shining and there’s nothing going on in the building? Today we take the answer to these questions for granted. We assume that when you’re not using it, the extra energy can just feed out into the grid, but when Steve Strong was wiring up this building, that was not a given.

He decided to configure the system so when there’s no sun, the building would buy electricity just like any other building, and the little dials on the electric meter would roll in one direction.

But if the sun was shining, and the appliances in the building weren’t using any energy, the electricity would flow out onto the grid, and the little dials on the meter would just roll in the other direction…backwards.

“It was intuitive, and it was almost just like, that’s just the way it should be. We’re producing electrons that are just as valuable as the ones delivered by the coal plant or the heavy residual fuel oil driven plant, and so it just made sense,” Steven told me.

He didn’t ask for permission from the utility to feed electricity back into the grid. He didn’t show them a design and say here’s what I’d like to do. The developers told him they would handle all of that.

“There’s one thing in your career that you should learn early, which is that it’s better to ask forgiveness than to ask permission.”

“And it turned out that they didn’t say anything to the utility purposefully,” Steven said. “So when the system was complete and ready to start up, one of the brothers came up into the mechanical penthouse in the top of the building and said, ‘how are we doing with the solar, Steven?’”

“And I said, ‘Well, Peter it’s ready to go. We just need to get permission from the utility to connect with the grid.’ And he threw the switch and said, ‘that’s OK, we’ll take care of that.’ And he told me at the time, ‘There’s one thing in your career that you should learn early, which is that it’s better to ask forgiveness than to ask permission.’”

(I will note here, at least one of these developers, went on to have an extremely checkered history, accusations of rape, drug charges, and other really crazy stuff.)

Instead of asking permission, they had a big ribbon cutting ceremony. They invited the head of the national renewable energy lab, all the senators and congresspeople from Massachusetts, and even President Carter. The President was planning on coming, but they put the kibosh on his appearance at the last minute because there was a strike at a nearby shipyard and the Secret Service told him to stay away.

And at this event, a torrent of important people stood up and spoke about how great the building was, how forward thinking it was, and how it would be the way of the future. Then, the last person to talk was an executive from the utility.

“He basically praised how innovative the solar systems were and how forward thinking the developers were and that was it,” said Steven. Afterwards Steven said the developer told him, “‘See I told you, I would take care of that... it wouldn’t be an issue.’ And he was right of course.”

And that, ladies and gentleman, was the birth of a little policy called net metering.

From Net Metering to “Net Zero”

That is also what the name means: when you’re producing, the meter runs in one direction and when you’re consuming, the meter runs in the other direction, so the practice is called “net metering” because you’re billed for your net consumption.

Those first grid-integrated solar photovoltaic panels didn’t last particularly long. They were blown off the roof of the building after little more than a year, according to the building’s manager George Picewick. The solar thermal panels heated the building’s water for more than 20 years, though, before they had to be removed because of a lack of maintenance.

And for Steven Strong, this project kicked off years of work on net metered buildings that catapulted his work into the spotlight. Very shortly afterwards, MIT came calling. They asked Steven to help them build a house that would be “energy independent,” by which they meant that it would generate as much energy as it used, even though it still relied on the grid. Today such a house is called a “net-zero” home. This house was built in Carlisle, Massachusetts and was on the cover of magazines like Popular Science, and written about in publications worldwide.

The cover of Popular Science from September of 1981 features the Impact 2000 house.

Because of all this attention, a local utility, Boston Edison, reached out to Steven Strong. They wanted to build a net-zero house too, and they called it the Impact 2000 House. This house was super-insulated, all electric (heated by a geothermal heat-pump), and all bedecked with solar panels.

It was also a public relations coup for the utility, which had been beset by protests focused on its new nuclear power plant. Steven Strong was also contacted by the producers of This Old House who decided to do the entire fifth season of the show about the construction of the Impact 2000 house.

“Solar power was seen as something that a few tech enthusiasts and environmental zealots would do, but certainly it wasn’t expected to spread to the masses.”

After that house, another utility asked Steven Strong to do a whole neighborhood of net metered solar homes, and the story of this weird billing trick just expanded from there. Before long Massachusetts regulators officially put a rule about net metering on the books, and other states followed suit, some even passed laws that formally established the practice. Now it’s allowed in 41 states, plus Washington, DC.

And for years not only was it totally non-controversial: solar power was seen as something that a few tech enthusiasts and environmental zealots would do, but certainly it wasn’t expected to spread to the masses. In hindsight this seems short-sighted, that a policy with the potential to shape the future of something as important as the electric grid would be allowed to grow so organically and without any real vetting or thought.

It was just a historical accident, that just sort of happened, kind of under the radar.

And Then Came SolarCity

Until, suddenly, solar started to get cheap. In 1980, a solar cell cost $30 a watt. Today, it’s more like 30 cents a watt. And starting in the mid-2000s, a bunch of really ambitious and well-financed companies started saying, Hey… we can make some money doing this. So from 2009 to 2010, the amount of solar in the US doubled. It doubled again from 2010 to 2011. It doubled again from 2011 to 2013 and from 2013 to today it’s on track to triple… again.

And some of this rapid growth came not just from large-scale solar farms (though much of it is that), but from people putting panels on their roofs, and reducing—and sometimes eliminating—their electric bills. That was made possible by net metering, and I think it's fair to say that back in the seventies, the electric companies did not see this coming.

And now they’re starting to push back. Which brings us to the litany of states where net metering became an intense and public energy policy debate that started us off in this story.

And why is it such a fight? Well, it all has to do with how we pay for electricity.

The utilities argue that net metered customers are using the grid to power their homes at night or on cloudy days, but they aren’t paying for the grid. This then means there is a smaller pool of people paying for the grid, and that smaller pool has to pay more.

Those who are sympathetic to this argument sometimes describe it as wealth redistribution.

“Back when Thomas Edison built the first electric power stations, there were no meters, so he actually billed people a monthly fee based on how many light bulbs they had.”

“It’s a… taking from the people who have not so much and giving it to the people who have more,” said Michael Harrington, who used to be one of the regulators of New Hampshire’s electric companies, and is now on the board of the New England Ratepayers Association, which advocates for lower electricity costs. “So it’s a reverse distribution of wealth from the way we normally do things in the United States, and I don’t think that’s right.”

This (in very rough terms) is how utility rate structures work: a utility is a big company that invests a ton of money in poles and wires, and they also pay for energy to send across those poles and wires. Then, they take all of their customers and they divide the cost of all of those expenses up between all of them and they spread it around, charging different kinds of customers slightly different kinds of rates based on how they use electricity.

It has basically been like that since the first electric meter was invented: back when Thomas Edison built the first electric power stations, there were no meters, so he actually billed people a monthly fee based on how many lightbulbs they had. The entire business model is based on a piece of equipment that is more than 100 years old, and the utilities argue that under that business model, if 50 percent of the people in the United States went solar and started net metering, a big chunk of the money that they’re saving winds up being money that’s not going towards the poles and wires.

But What if Solar is Saving us Money?

Except, we’re not 100% sure that’s true.

There’s another former New Hampshire regulator, Cliff Below (he’s also the former state lawmaker who wrote the initial net metering law here in New Hampshire) who argues that solar might be doing more good than harm

“Net Metering was initially thought of as a rough justice,” he told me in an interview. He said when net metering first came along there was this belief that, “there were benefits particularly to solar, because increasingly for New England, peak demand was being driven by air conditioning loads, which was driven by sunlight landing on buildings and heating things up.”

To understand this argument, you have to understand that even though on your electric bill you pay the same amount for every unit of energy, all electrons are not created equal. In reality, every five minutes there is a new auction for energy and so every five minutes we’ve got a new price for energy. When demand is low, prices are low, and they can actually go negative, usually at night. (As in power plants will pay us so they don’t have to shut down.) When demand is high prices can be insane: 100 times higher than normal.

But again, the utilities take all of those costs, they average them all out, they divide them by their customers, and you never see that variation on your bill.

So the thing is: if solar panels are producing at times of day that are really high value—sunny, hot, air conditioning heavy days—the electrons coming off the panels might be worth substantially more (on average) than all of the electrons on the grid (on average). And maybe, just maybe, even the very generous rate net metered customers are getting doesn’t fully reimburse them for what they’re making.

There’s more to this argument. If done properly, solar might reduce the need to build new power lines, substations or other infrastructure, but most of those other facets stem from this same principal. Solar tends to produce at times when the grid is most in need of electrons.

So How Can We Know Who’s Right?

“These problems are often put out there as very difficult problems to solve. They’re actually not, in my view, that difficult to address, but we need to just put all of the numbers on the table.” That’s the assessment of Jessika Trancik, she’s a professor of energy studies at MIT.

Jessika’s point is that we can answer this question for every individual solar array if you look at the data. When is it producing? What are the power prices at that moment? What kind of neighborhood is it in on the grid? What’s the load on that circuit? Is it helping on that circuit or is it hurting on that circuit?

You can take all that data and she says, “look at each different location and understand how the situation what the situation looks like today and how that’s likely to change over time. But I think that’s all very doable.”

But in order to do this, you need the data. That means installing smart meters on solar arrays so we can see the minute-by-minute production of the panels. It means getting the data from the utilities to know if the solar panels are producing at a time when they are needed in the given neighborhood that they are in.

And it could also mean paying solar producers prices that make more sense: as in prices that are different for different times of day.

Here in New Hampshire, people are arguing about what to do with the state’s net metering program, and most of the fixes that people are proposing are pretty blunt instruments. In my opinion, they are kind of disappointingly blunt.

If you’re a net metered customer in New Hampshire, you’re getting paid about seventeen cents per kilowatt hour. So seventeen cents is the starting point.

“The way we pay for electricity doesn’t reflect the way electricity is actually generated and the actual costs that are incurred.”

The utilities say, you should get the same price that other power-plants get: which is more like four to six cents a kilowatt hour—one third as much. Solar people generally don’t want regulators to touch net metering, and they want them to keep the rate at seventeen cents. And then you’ve got a range of people in the middle who seem to be just picking a number somewhere in between the two. “Oh maybe we could make it 12 cents.”

For the Jessika Tranciks of the world, (steely energy economist academics), this is not really getting at the root problem, which is: the way we pay for electricity doesn’t reflect the way electricity is actually generated and the actual costs that are incurred. And there is one proposal on the table in New Hampshire that would start to shift that model.

“It is clearly inappropriate in today’s technological age to continue to charge people the same price for electricity 24/7, when the cost of providing people electricity varies, sometimes by orders of magnitude, depending on the time of day and the time of year,” said Don Kreis, the state’s consumer advocate. Don’s job is to watch out for people who pay electric bills, he’s looking out for the little guy.

Don wants solar customers to have the option to move to a Time-of-Use rate, a rate that would pay you more if your solar is cranking out electrons during high price times, like later in the afternoon. On the flip side, this rate would also mean that you pay more, if you’re using more energy in the afternoon. To make this really simple, every day there would be a higher price between 2pm and 8pm.

This is cracking open the door to a totally different way of paying for energy. Instead of abiding by this crazy illusion that every electron is worth the same, it acknowledges that when demand is high, electricity gets expensive, and maybe we should let people know that.

How Far Could This Go?

Jessika Trancik, from MIT, wants to take that concept even a step further. Remember, every five minutes, there’s a new auction and a new energy price every five minutes. She thinks we should all have a little display in our houses that says, here’s the price of energy, right now. In her mind that price could change every hour, and it could be capped, so customers are sheltered from the most extreme fluctuations of the grid.

In this world, every home, not just solar homes, would be outfitted with a little display telling you what the price of electricity is at that moment. Perhaps it could be color-coded, to give you a clue about whether that price is high or low. With that information, we could all make choices about when to run our driers or our dishwashers, and maybe manufacturers would make devices that could read that display and automatically respond: flipping on in the middle of the night, say, if electricity prices drop to zero or lower. In this world, solar producers would get paid based on what the grid price is from moment to moment, and the whole question of shifting costs from rich to poor would be rendered moot.

Of course, this dream relies on a lot of technology that simply has not yet been deployed, may well be very expensive, and needs to be protected from cyber-attacks… all of which are profound concerns for the utilities that are being asked to do this.

“It’s high time for everybody to take a look and see what a rational bit of well-designed public policy would be.”

But for Don Kreis, the consumer advocate, a policy like net metering—one that was created accidentally, without forethought or design, and without regard for the markets it would impact—cannot stand forever.

“The fact is, it wasn’t like the commission on uniform state laws got together and said, ‘Let’s design a net metering statute that will promote the development of distributed generation in this really logical rigorous way,’” Don said, laughing in his office, “No! It just happened by accident!”

Without a moment’s pause he continued. “And it’s high time for everybody to take a look and see what a rational bit of well-designed public policy would be.”

So that’s one way the world could change. Or we could just go back to billing based on how many light bulbs you own. There’s always that.

Outside/In was produced this week by:

Sam Evans-Brown with help from Maureen McMurray, Taylor Quimby, Molly Donahue, Jimmy Gutierrez, and Logan Shannon

Thanks this week to Bob Johnstone, whose book Switching to Solar led me to Steven Strong, and to Haskell Werlin who rushed back from a funeral to talk solar policy with me.

Music this week was from Jahzzar, Jason Leonard, Blue Dot Sessions and Podington Bear. Check out the Free Music Archive for more tracks from these artists.

Our theme music is by Breakmaster Cylinder.

Millionaires' Hunt Club

December 29, 2016 by Guest User in Pursuits, What is Wilderness

Sam is going to take us all hunting this week. Not hunting for animals, but instead, hunting for the secret of what’s behind that 26-mile fence cutting through the woods of New Hampshire, and why some people want it to stay a secret.

From my very first days as a reporter in New Hampshire, I started to hear about a place hidden up in the woods of New Hampshire. A place full of unfamiliar animals from other places, but fenced off from the rest of the state, and kept quiet. I never heard about it directly — it was always through a guy who knew a guy, who had been inside — but the more I heard about the place, the more unbelievable it seemed.

This massive, private park was called a “millionaires hunt club” and “the most exclusive game preserve in the United States” and yet there were many people I know who had lived their entire lives in this state, but had never heard of it. So what is the secret of what’s behind that 26-mile fence cutting through the woods of New Hampshire, and why do some people work so hard to keep it a mystery?

Helen M. Derry at corbin park central station, courtesy brian meyette.

Officially it’s called the Blue Mountain Forest Association, but everybody who knows about it calls it Corbin Park. (Seemingly shortened from Corbin’s Park… we’ll get to the origin of the name.) It’s near the border with Vermont and it’s huge, though its exact size seems to be something of a mystery. Regardless, at somewhere between 24,000 and 26,000 acres this park is actually bigger than something like 60 percent of New Hampshire towns.

You can find the chain-link fence that encircles the entirety of the park at the end of any number of long rough dirt roads that lead to locked gates. It feels almost like like stumbling across a military base full of UFOs or some similar secret. The fence itself looks sturdy, if slightly weather-worn, and at regular intervals features small signs reprinted hundreds of times, “the enclosed park fence and signs are protected by a special law of this state and any person trespassing herein or in any way violating that law will be prosecuted.”

I got my introduction to the park from a man named Brian Meyette, a retired database administrator, who lives in an off-the-grid home, right next to the fence. “In the fall it’s cool, because you get elk bugling in here,” he said as we walked down his icy driveway, “I actually even came down here once because I could hear one and it sounded like he was bugling just inside the fence.”

Elk, in case you didn’t know, are a Western thing. We don’t have them in New Hampshire. Except on the other side of this fence. And that’s not the only thing that’s over there.

“Any time people come up here to work or anything, they always say, ‘oh did you see the pigs?’ said Brian, laughing. When he says pigs, he’s referring to Eurasian wild boar, imported from Germany into New Hampshire. “And no,” Brian continued, “normally you come down here and it’s just you see a bunch of trees, that’s all you ever see.”

But while you might not see them, there are elk bugling and Eurasian wild boars hustling around behind those fences.

But why?

The trouble with finding the answer to that question is that no one inside of Corbin's Park wants to talk about it. Corbin’s Park is a member’s only club. If you are a reporter, and identify yourself as such, not only do the employees of the park not want to talk to you, but the members don't want to talk to you, the people they have invited as guests don't want to talk to you, even some regular folks in town don't want to talk to you.

Meet Austin Corbin

Basically the only way to talk about Corbin's park today is to start by talking about Corbin's park 100 years ago. The farther back in time I went, the easier it was for me to find people who wanted to talk about this place, which is what brought me to Larry Cote. Cote is a retiree, and chair of the Newport Historical Society, which is where all the historical documents about Corbin’s Park have come to be kept.

“This is our 4th year and you’re the first person who’s asked about it, so I’d say it’s pretty rare that somebody’s got a lot of inquisitive-ism,” Cote told me as we dug through binders full of photos and letters.

Here are the outlines of the history of the park. It starts with a guy named Austin Corbin born in 1827, grandson of the town doctor in Newport, New Hampshire, who left home to go to Harvard as a young man. He then he went to Davenport, Iowa where he fell into real-estate and banking, and became one of the founders of the American banking industry alongside giants like J.P. Morgan.

After making a lot of money in the midwest, he then headed out to New York, where he invested in some swampy property out in an underdeveloped borough: Brooklyn. “He drained the swamp, he tore down the shacks, he built two hotels — the Oriental and the Manhattan — and that’s how Coney Island got started,” said Cote.

But as he was amassing his fortune, part of him just wanted to go back to New Hampshire. So he hired an agent to start buying up farms in the towns around his childhood home. In so doing, he didn’t exactly endear himself to the locals. “There’s people that say he was a robber and all that stuff,” said Cote, who was quick to defend Corbin, saying the farmers got fair prices for their land. Even so, there was even a rhyme that people in Croydon — one of the towns bordering the park — started saying about this time:

“Austin Corbin, grasping soul,

Wants this land from pole to pole.

Croydon people bless your stars,

You’ll find plenty of land on MARS.”

Corbin bought sixty some-odd farms, (again, in New Hampshire, this is the size of an entire town) and he set about building his very own dream game reserve.

“The elk cost him $5,000 dollars. The Moose $1,500, the buffalo $6,000, deer and antelope $1,000, wild boar pigs $1,000 dollars, and then additional other animals were another $5,500,” said Cote as he read from a ledger from the park’s archives. Caribou, reindeer, big-horned sheep, pheasants, Himalayan Mountain goats. The park contained animals from all over the world, like an exotic, cold-weather safari.

But just when the park was really starting to shape up, Austin Corbin and his son decided to take some new horses for a day of fishing and picnics by a nearby lake. His driver hitched some new horses to the buggy, but didn’t give them blinders and when Corbin opened a parasol the horses spooked. The carriage was overturned, and both Corbin and his coachman were killed.

For a few decades, the park was operated by Austin Corbin’s son (charmingly but confusingly also named Austin Corbin) and these are what you might call the ‘Golden Years’ of the park. Famous people like Teddy Roosevelt came to hunt, and a world renowned naturalist takes up residence in the park to make observations and take notes. The park’s buffalo were — at least according to some — instrumental in restoring Bison to the American West.

In the early days, the park was open to the public. Every Wednesday, they were invited in to explore and there was even a winter carnival held there when the townsfolk came in for a deer hunt, ski jumping, a ball, and a banquet.

But after Austin Corbin the senior died, his fortune slowly began to ebb away. Austin Corbin the son can’t quite replicate whatever business magic his dad had, and Cote said that the when Corbin the son died in 1938, he was more or less penniless. That same year, a massive hurricane blew down huge amounts of the fence that kept the park enclosed, and boar and elk escaped in large numbers. The park fell into disrepair, until eventually in 1944 his family gave it up and a group of wealthy hunters took it over.

As time went by, the park dropped further and further from the public eye. Today, most people I talk to who are from New Hampshire have never heard of the place.

These days, whatever’s going on in Corbin’s park, stays in Corbin’s park.

Except for when not everything stays inside.

Hunting around the edges

“Back in 1987 we believe,” Sonny Martin began explaining to me over the phone, before his wife shouted from the background (“Eighty-six!”), “Oh now, my wife corrected me, ‘86.” Martin is the now retired former owner of a hardware store in Lancaster, New Hampshire — some 70 miles north of Corbin’s Park.

“So, somewhere, 1st of November, I was sitting in my tree-stand. It was getting dusky, I always call it next to dark,” said Sonny, falling into the rythms of a story he’s obviously told more than a few times, “Well, the next thing I knew, out comes this wild boar, and he just moves out into the middle of the clearing. He reminded me like a train, the way his legs moving, you know, I’ve always said that. And he just stood there, and does this ‘take your best shot.’”

Martin did take his best shot, and he mounted the head of the boar that he killed that day and for years it hung on the wall behind the register at his hardware store.

gate around corbin park, photo by sam evans-brown

Wild boar can weigh more than 200 pounds, and need to eat more than 4,000 calories a day. They’re aggressive, a nuisance to farmers, and they reproduce like crazy. It’s not unusual for one sow to have six piglets per litter, and sometimes they have two litters per year. To top it all off, they’re smart and wiley. One federal wildlife control official I interviewed said once they design a fence that can hold water, it will be strong enough to hold a pig.

“I mean it was kind of… it was a little bit unbelievable to see something laying there,” Martin said of the animal.

Martin is not the only one to have killed one of the escaped pigs of Corbin park. Technically, the wild boar that escape Corbin’s Park are property of Corbin’s Park, and hunters outside the fence aren’t allowed to shoot them without permission. But the park is liable for any damage to crops or lawns that an escaped boar might cause, so from what I’ve gathered from talking to locals and neighbors, they’re fine with letting local hunters clean up the problem for them. State Fish and Game doesn’t want to issue permits to hunt the pigs because they don’t want to create a demand among hunters for a species that in other parts of the country has become an invasive pest. (Now that you know to look for it, you’ll start to regularly see headlines about men arrested for transporting and releasing wild boar to new places to get new populations going.)

So, with this unregulated hunt, there’s something of a symbiotic relationship going on: local hunters experience the thrill of hunting exotic game without being a part of Corbin’s exclusive club, and they take care of one of the park’s more troublesome issues. I’ve spoken with several people who say they’ve hunted pigs outside the fence, including one who said he shoots multiple ones every year, but none of them agreed to be interviewed in front of a microphone.

It’s another layer of secrets. Not only is what happening inside the fence shrouded in mystery, but some of the activities outside the fence are happening under the radar too. Secrets within secrets: a Russian matryoshka doll of secrets.

But what’s happening today, on the inside?

I tried for a very long-time to talk to someone who is a member of Corbin Park. I called the president of the park. I called the superintendent a bunch of times. I called two other members whose names I managed to find. I even eventually wrote a letter to the park’s general address.

No response.

I did succeed in talking to a number of people who have been guests and hunted inside the park and even managed to talk to a current member, but none of these folks wanted to be interviewed in front of a microphone. I was also able to pull the park’s tax returns, because it’s a non-profit, and they file numbers of how many animals are shot each year with Fish and Game.

So here’s what I learned.

There are 30 members. We know who some of these folks are, because their names show up as directors of the park on the tax-forms: one is the CEO of a plastics company that makes things like spout on a can of whipped cream; there’s a self-made millionaire whose company built a stealth boat they’re trying to sell to the US military; there’s the owner of a major gun manufacturing company, who also happens to own Austin Corbin’s old mansion; and there’s even one of the descendents of the Von Trapp Family Singers, from the Sound of Music.

central station, corbin park. image via google maps.

These 30 members and their guests shoot somewhere between 200 and 600 wild boar every year, and between 40 and 120 deer and elk.

From the tax forms you can see that the park makes money off of meat-cutting (members can pay to have their meat butchered for them) but most of their income comes from membership dues, which cost something in the neighborhood of $25,000 dollars a year.

To become a member, you also have to buy the shares of a former member. No one told me how much it cost them to buy into the club initially, but I was told that calling it a millionaire’s hunt club is not an exaggeration.

So why all the secrecy? These are wealthy people who don’t want to attract the attention — and perhaps the resentment — of those who don’t approve of their habits. And believe me, there’s plenty of resentment.

“You can’t get into it. It’s the biggest secret. It’s the millionaires hunt club. The most exclusive game preserve in the United States,” said Rene Cushing in an interview, a New Hampshire state legislator who says that on the political spectrum he leans toward the socialism, “Millionaires only, and New Hampshire peasants need not apply.”

Cushing tried to get a bill passed to require the people who hunt boar inside Corbin Park to buy a New Hampshire hunting license, which is not currently required. I asked him why he felt their exclusivity was a reason to go after the club members.

“I don’t think it’s fair that the people who go surf-casting, pay their $8, pay the Fish and Game Department, should end up subsidizing the Fish and Game Department when they have to go to Corbin Park to respond to a hunter being shot, or when they have to go up to 89 and pick up a wild boar that’s escaped from this fenced in property, and the rest of us are picking up the tab,” said Cushing, “It’s just about fairness.”

I think this is why it’s so hard to talk to members of Corbin Park. The probably feel like just laying out the facts of this place — the cost, the invasive species escaping into the state, the overwhelmingly male membership and guests — will prompt a negative reaction from the Rene Cushing’s of the world.

Reporters sniffing around the fences of the park inevitably puts them into a bind, though. If they talk to reporters, it could encourage more reporters to do more stories, which means more people talking (some negatively) about this gigantic exclusive park. If they don’t talk, then the eventual stories that do come out sound like this one, where the members seem somehow shady, for exercising their right to not comment.

The members probably feel like outside the fence, they can’t win.

So what is Corbin Park?

corbin park central station, photo by sam evans-brown

It’s 26,000 acres of rocky New Hampshire land, fenced off, stocked with elk, eurasian wild boar and white-tailed deer. It’s private, but you can get in if invited by a member, or if you ask on the right day. It was built over 100 years ago, by a super-wealthy banker. Every year, hunters inside shoot somewhere between 200 and 600 wild boar, and between 40 and 120 elk and deer. The animals are fed through the winter to help keep the populations up, but you’re not allowed to hunt around the feeding sites.

Members can get the meat butchered and smoked on site. They can stay in cabins and old farmhouses - the ones that are still standing - that are sprinkled throughout the park. They can hike up Croydon and Grantham peaks, the two tallest mountains in Sullivan County, which are inside the fence.

It’s expensive to be a member, and only 30 people are allowed to be members. When someone wants to sell their shares, you’ve got to know a guy who knows a guy if you want to buy them; there’s no announcement in the papers.

And we also know that most of the people who live near this park, folks like Brian Meyette, have no problem with the place and tend to say it’s a good neighbor. The park is quiet, pays its taxes.

However you feel about all that… it’s up to you.

In the end, I don’t think Corbin Park is actually a mystery. At one point, I spoke to Heidi Murphy a lieutenant with Fish and Game, who has been inside to help the park staff with occasional issues with bears.

“It’s just you know a big huge patch of woods with some hunters that are camping out in some cabin,” she said, laughing at my insistence that it must be more interesting than that.

“It’s, you know, it’s New Hampshire woods,” she shrugged.

Outside/In was produced this week by:

Sam Evans-Brown, with help from Maureen McMurray, Taylor Quimby, Molly Donahue, Jimmy Gutierrez, and Logan Shannon.

Special thanks to David Allaben and Tony Musante from the USDA. By the way, if you see an escaped boar in New Hampshire, you should report it to those guys.

Thanks also to Ken Hoff, who volunteered his time and his skills to give us an airplane ride over Corbin’s Park

This week’s episode featured tracks from [tk tk tk]. Check out the Free Music Archive for more tracks.

Theme music by Breakmaster Cylinder