10x10: Midden

May 25, 2017 by Guest User in 10x10

Up along the banks of the Damariscotta River in Maine there used to be two stadium-sized piles of oyster shells. Where did they come from? Why are they there? What can they tell us about the people that created them? There are mysteries in the middens!

A couple of weeks ago, Outside/In went on a field trip up to Damariscotta, Maine. In that town, about 15 miles upstream from where the Damariscotta river flows into the ocean, we met up with Arthur Spiess, Maine’s state archaeologist. We walked along a fairly unremarkable path that led down to the water, threading its way through overgrown apple trees.

But there’s something special there, buried under just a few inches of soil.

Sam Evans-Brown and Arthur Spiess walk down the path towards the Whaleback midden | Photo: Logan Shannon

“That’s what’s left,” Spiess says. Close to the edge of the water there’s a little brook running down the hill, and the water has peeled back the layers of earth. Along the bank where you would expect to see just bare, brown, naked earth there was this jagged wall of shockingly white shapes. This shining, opalescent riverbank is actually made up of thousands of oyster shells, piled on top of each other.

Arthur has actually dug all the way down into these shells, and found that they are still around six feet deep. And that is just the remnants.

“There was an even larger pile of shells that went from the river, back to where those pine trees are… about a hundred yards, yeah. And it was 15 to 18 feet deep at the deepest.” Spiess explained.

When you do the math, this comes out to more than 300 dump truck loads of shells. And some of these were monstrous oysters: 15-18 inches long with meat inside the size of your palm.

There were actually two of these massive oyster shell piles in this spot: one on either side of the river. The spot where we stood was called the Whaleback Midden, and is now gone. It was mined for chicken feed in 1886. On the other side of the river is the Glidden Midden, which is still intact and continues to be one of the largest shell heaps in the country.

So, what gives? Where did they all come from?

Middens, Not 'Mittens'

Whaleback shell mound - Courtesy of the Peabody Museum of Archaeology and Ethnology, Harvard University, PM #2004.29.874

The short answer is that indigenous people left these oyster shells in this spot after taking them from the river, opening them up and eating the meat inside. Radiocarbon dating of shells at the very bottom of the pile show they were left there about 2,000 or 2,200 years ago, and judging from the types of pottery fragments that Art has found in the pile (and the absence of metal tools or other European goods) he thinks the pile stopped growing around 600 or 800 years before the colonial Europeans arrived.

“There was an even larger pile of shells that went from the river, back to where those pine trees are… about a hundred yards, yeah. And it was 15 to 18 feet deep at the deepest.”

— Arthur Speiss

But who were the people pitching the oyster shells?

Chris Sockalexis, the tribal historian of the Penobscot Nation and an archaeologist, thinks they were probably the ancestors of his people. The Penobscot are one of five tribes in Maine that collectively referred to themselves as Wabanaki, or ‘Easterners,’ and he thinks the people in this spot likely spoke a language very similar to their modern languages.

Whaleback shell mound - Courtesy of the Peabody Museum of Archaeology and Ethnology, Harvard University, PM #2004.29.872

But getting specific about how they lived is very difficult, since their tradition was passed down orally, and most of their stuff was made from biodegradable materials. And what’s more, indigenous people in this region lived in smaller groups with pronounced differences in their lifestyles. Some lived on the seacoast year-round, some were moving up and down river depending on the season, and each had their own rhythms that helped them find food year round.

“You would have to say there are similarities coming from hunter-gatherer groups, but as they split off into kinship groups, each family would have their own certain mini customs and rituals, but when the larger aggregation comes together, they share that common bond,” says Chris.

This is part of what makes these big piles of shells on the Damariscotta so amazing. Most shell middens are much smaller piles, maybe five feet deep and tens of feet across. But these are an anomaly. They’re so big, many people reason that they couldn’t possibly have come from one group: it had to have been many groups of people, over many years.

But you all are the curious sort, and I can tell you want more than that. You’re hoping for a better explanation, but all we’ve got is shells. How do you answer these questions with nothing but shells?

Shells Can Tell You a Lot

So what happens when you dig in a giant pile of oysters? You find a lot of oyster shells, “Surprisingly,” jokes Arthur Spiess, “and some pottery fragments and some charcoal and a few fish bones.”

“Not a lot,” he concludes.

While this might not sound like much to reconstruct what life was like for the people who ate all of these oysters, it’s a heck of a lot more than you’ve got in a lot of other places. In huge chunks of the world—the Eastern US, Europe, Russia, Central America, Northern South America, Southeast Asia and Central Africa—the soil is actually slightly acidic. Meaning that over hundreds of years, the soil itself dissolves any human or animal bones buried in it.

Map showing the acidity of soil, orange being acidic, blue being basic. Courtesy of: Kartesz, J.T. The Biota of North America Program (©BONAP). 2015. North American Plant Atlas. Chapel Hill, N.C.

But if you cast yourself back to high school biology, you’ll recall that shells contain calcium, and calcium is basic; the opposite of acid.

“The shells neutralize the soil acid, make the soil sweeter. Raise the pH above 7, and bone is preserved. And we love these sites for that reason,” explains Bruce Bourque, the recently retired head of archaeology at the Maine State Museum.

So just from the beginning, what little we can know about the past here, we know thanks to the shells.

And actually, just from some bones and shells, we know more than you might think. For one, the piles are full of fire-rings, which are full of fish bones. “The fish bones that are in here are mostly alewives, and they come up here in the spring,” says Spiess. There are also scattered animal remains, including the jawbones of deer, the teeth of which can also tell biologists when they were killed. Similarly, oyster shells grow in predictable annual patterns that can be seen using a diamond saw and a microscope. Spiess says both the deer and the oysters were eaten in the late winter or early spring.

These remnant imply that people would gather by the banks of this river, right around the time of year that the alewives would return from the ocean and swim upstream to lay their eggs. This time of year is often known as the hungry time: as winter slogs towards its finish any food you managed to save up during the summer and fall is long gone and no new edible plants are starting to come up yet. Just the time of year when it would be really great to be able to go to a place where you can find oysters the size of your fist just sitting on the bottom of a river.

The people who were doing this came from hundreds of miles away, if not more. We know that thanks to the stone tools and projectiles. “Some of these stones traveled long-distances, primarily from the Moosehead lake area and Munsungan area, but we also are finding evidence in shell middens that the stone to make the tools is coming from as far away as Pennsylvania, possibly Ohio, [and] Labrador” says Sockalexis.

Looking southwest from site of Whaleback Shell mound - Courtesy of the Peabody Museum of Archaeology and Ethnology, Harvard University, PM #2004.29.876

The Glidden Midden as seen from the opposite shore. 2017 | Photo: Logan Shannon

And so the middens grew, a few shells at a time. Each year the people who came added about a half a dump-truck to the top of the pile. And every year, when the people came back and set up camp, sometimes they would move in right on top of shells from years ago. All through the heap of shells, there are black stripes of soil and charcoal showing where people set up camp on top of the shells.

Generation after generation, one on top of the next. That, as near as we figure, is where these piles came from.

Why Did the Pile Stop Growing?

Shell heap - Courtesy of the Peabody Museum of Archaeology and Ethnology, Harvard University, PM #2004.24.3148

As far as we know, the people who made these massive, impressive piles of shells, stopped adding anything to them before Europeans arrived in the Americas. So what happened? To understand the most common explanation, you have to remember that the world didn’t always look the way it looks now.

“If you want to find the coastal campsites of people who were here 10,000 years ago you have to go offshore… and you’re in about 150 to 200 feet of water,” says Spiess, noting that indigenous artifacts are often found in the dredges of scallop fishermen.

The oceans have been slowly rising ever since the last ice age. When the ocean was farther away, the tides didn’t use to reach all the way up stream. And just downstream of these two piles of oyster shells, the river runs over a strip of rocks. So we can imagine that at first those rocks were a waterfall.

But then as the water rose, this river began to swell, and the bottom of that little waterfall got higher and higher until, during high tide, the waterfall actually started to flow backwards. Then during low-tide, the water would drop, and it would reverse again. Those rocks became a two-way waterfall.

Now, a couple of rocks and rapids wouldn’t have stopped tiny oyster larvae, which drift with the currents, but they might have kept out their main predators, a snail called the oyster drill. So this little barrier could have been what allowed for a massive oyster reef to form—one big enough to draw bands of people every spring from hundreds of miles around, walking or paddling in canoes, to eat oysters.

But the same effect that created the reef, may have led to its demise. As the centuries passed and the seas continued to rebound, eventually that two-way waterfall would have begun to flood out, and bit by bit, the oyster drill snails could have begun to slither their way through. Over many years that massive reef would have begun to shrink.

“With the declining oysters, you kind of have to think, why would you go back?” asks Sockalexis. This, he argues, explains we don’t see any artifacts in the pile that would have come from colonial Europeans.

But for some of the people who have studied this place, there are things that don’t quite add up.

The Alternate Theories

Now, not a ton of people have studied these particular shell middens, but one of them is Deb Wilson, who was an archaeologist for around 20 years.

“This is unusual,” she says when we meet her next to the river, “but more importantly they’re unusual for what’s in them. For the amount of shell, usually we see stone tools, bone tools, arrowheads… a whole cluster of different kinds of artifacts, but in these sites, there’s really only one or two stone projectile points that have ever been found.”

Deb reviewed the artifacts that had been saved from the Whaleback Midden when it was mined and started to notice some odd patterns. For one, there were a lot of bear scapulas—shoulder blades—in the animal bones in the pile. In some tribes, scapulas were and are used in this thing called Scapulimancy.

“You know they’re flat, so they would heat them on a fire and interpret the way they crack. As they might be wanting to decide where to go hunting. And they would find paths, in the cracks in the scapula,” says Wilson.

There are more clues that lead Wilson to think that this site is something more than just an especially large pile of refuse. There’s an account by an elder from the Penobscot written in 1893 that says this spot had been set aside for the old and infirm. There’s also an arrowhead she found that seems to have come from a whole different culture from the Midwest, “and those guys were mound builders.”

The mound builders cremated and buried their dead under elaborate piles of earth. So Deb thinks that maybe there’s something else going on here. Like maybe some folks from the mound-building culture made their home here at some point, and in just a few generations, built and deliberately sculpted these massive shell piles. When colonials arrived, they called the bigger of the two middens the Whaleback, because it looked like the profile of a massive whale. Deb thinks maybe that was intentional.

To her, this place feels like it could have been a monument, of some sort.

“There are scraps of folklore that talk about things that are white and pilgrimages to places where there are things that are white,” concedes Bruce Bourque. “So those ideas are out there. It’s possible. Maybe even plausible, but probably unprovable.”

But Bruce Bourque has his own—perhaps unprovable—favorite alternative theory. Remember the nice tidy little story, about the rapids, the big reef, and the snail drill? There’s just one problem, with it. “It’s never been proven,” says Bourque. it’s just an idea that was published in a paper many years ago, and no one’s disproved it, but it’s plausible but unproven.

His preferred hypothesis is that the indigenous people were adding to the pile all the way up through contact with the colonial Europeans and in reality it was shipyards, built up stream dumping sawdust into the river that put an end to oysters in this spot. He thinks the reason there have never been colonial artifacts found in the piles is white settlers had already disturbed the middens before they could ever be investigated. He thinks they took shells from the tops of the piles and burned them to make lyme for bricks.

We're in the Fog of Time

Whaleback shell mound - Courtesy of the Peabody Museum of Archaeology and Ethnology, Harvard University, PM #2005.3.61.4

This is what happens when you’re looking for clues in a two-thousand-year-old pile of oyster shells. To some archaeologists, this big pile of shells is just a big pile of trash that built up slowly and unintentionally. To others this pile could be something symbolic, or sacred. This is the fog of time, which just lets us see hints of shapes. Fuzzy outlines of something that might tell an appealing story.

Deb Wilson thinks we’ll never know the answers to some of the most fundamental questions about what happened here.

“I shouldn’t say this, but when we do archaeology I say it’s making up stories,” she says, laughing, “and these people were here, what? 1,500 years ago, 2,000 years ago? We, who watch TV, who live in houses with lights, who drive around in cars, can’t even begin to imagine what it was like to never know any of that. And just to be here, and paddle up and down the river, see the moon on these white shells.”

It took the chicken feed mining operation only about a year to completely excavate the Whaleback Midden, which took more than a thousand years to amass. It was during this mining operation that the colonials, without anyone’s permission, unearthed human remains of the native people who created this pile. Fortunately—and uncharacteristically for the time—an archaeologist was hired to keep track of artifacts and human remains that were found in the pile, or we would know even less about this place.

The good news is that the smaller pile on the other side of the river, the Glidden Midden, was purchased by a local land trust, and has been put into permanent conservation. But this doesn’t mean it’s safe. “It’s eroding very badly,” says Arthur Spiess. He says compounding the matter is the fact that the midden sits on top of clay, not bedrock. “Even if you put a rock wall down there, it wouldn’t last because the clay would go out underneath it.”

One of the biggest piles in the country, one of the most remarkable monuments to indigenous peoples’ heritage is washing away. This is a story not just along the Damariscotta river. There are thousands of shell middens in Maine alone, and by their very nature they are close to the coast, and are at risk from rising seas.

So when they disappear, the fog of time gets thicker, more impenetrable.

For the descendants of the people who lived in this place, it’s tough to know how to feel about this.

“It is disheartening to see some middens being washed away. But talking with certain elders... they were there for a purpose and if they’re getting washed away, they’ve served their purpose.” says Chris Sockalexis from the Penobscot, “I understand that logic, but as an archaeologist it’s tough to accept. I walk a fine line between tradition and science. Sometimes it’s tough, sometimes you have to choose I side. I try to stay right down the middle as much as I can, but sometimes it’s tough to live that dichotomy.”

Outside/In was produced this week by:

Outside/In was produced this week by Sam Evans-Brown, with help from, Maureen McMurray, Taylor Quimby, Logan Shannon, Molly Donahue, and Jimmy Gutierrez.

Special thanks to Peter Noyes and Jesse Ferriera of the Damariscotta River Association, that’s the land trust that owns and maintains the Glidden and Whaleback Midden sites, and to the Peabody Museum of Archaeology and Ethnology at Harvard University, for letting us use their photos of the mining operation at the Whaleback site. And thanks also to professor Joe Hall of Bates College.

Just as a matter of pure coincidence, the Peabody will be putting some of the artifacts from Whaleback on display starting Saturday June 3rd, if you’re interested in seeing them.

This week’s episode includes tracks from: Sometimes Why, Velella Velella, Podington Bear, Blue Dot Sessions and Ari de Niro. Check out the Free Music Archive for more tracks from these artists.

Our theme music is by Breakmaster Cylinder.

If you’ve got a question for our Ask Sam hotline, give us a call! We’re always looking for rabbit holes to dive down into. Leave us a voicemail at: 1-844-GO-OTTER (844-466-8837). Don’t forget to leave a number so we can call you back.

Champagne on the Rocks

May 18, 2017 by Guest User

If you're a long-time listener of the podcast, you might remember this as Episode 6: Champagne on the Rocks. But if you're new around here, we thought you'd like to hear one of our favorite episodes from the archives, complete with an update at the end. In the summer of 2015, Scott Jurek set a new record for running the 2,181 miles of the Appalachian Trail. But on his triumphant day atop the last mountain in Northern Maine, his 21st century campaign for the trail's record ran afoul of a park founded on ideas about wilderness from a decidedly earlier time.

Daisy Supply Chain

May 11, 2017 by Justine Paradis in Flora

Ever wonder where those flowers in the grocery come from and why, no matter what time of year, there are always roses available? Just in time for Mother's Day—the second busiest floral day behind Valentine's Day—we look inside the billion dollar flower industry and trace the well oiled supply chain that makes sure saying it with flowers is always an option.

A flower display at a Concord, NH grocery store at 4pm on Valentine's Day. How about some baby's breath? | Photo: Molly Donahue

Think about Valentine’s Day. Not the stuffed animals and chocolate and cards… zero in on those flowers. Roses. Probably red. Probably a dozen of them. But here’s a quandary that perhaps you haven’t really thought a lot about: Valentine’s Day is in February, right? Where the heck are roses coming from in the dead of winter?

The florist? Sure, maybe. If you’re anything like our team, you’ll probably head over to the grocery store first to see what they’ve got. If you’ve waited until 5pm on Valentine’s Day, the selection is probably going to be a little sparse.

But just stop and think about this for a second: those roses that you’re squabbling over in the grocery store aisles, how did those even get there?

Fresh-cut flowers are nature’s most ephemeral phenomenon. Poets have written whole collections using the blossom as a metaphor for the briefness of life. But they rarely write sonnets about how the humble flower affects a country's gross domestic product.

In this episode, we’re tracing the path a cut flower takes, step by step. We looked inside the $31 billion American floral industry to show you what it takes to ensure that nature’s shortest lived product will arrive to the grocery store or florist’s fridge and then make its way onto your kitchen table looking fresh as a daisy. And that means starting down south. South America south.

From Domestic Product to International Import

Today, roughly 80% of our imported flowers come from Ecuador and Colombia. But this wasn’t always the case. Most flowers sold in the U.S. used to be grown in the U.S. New Jersey had a handle on the rose market until it became more economical to move it to California where real estate wasn’t as valuable (yet). Colorado, with high plateaus, warm days, and cool nights was also a big producer. But in 1967 a graduate student in horticulture named David Cheever at Colorado State University asked a key question: Where’s the best place in the world to grow flowers?

Amy Stewart is the author of Flower Confidential and the woman we turned to for expertise on the flower industry. It turns out it places like Ecuador and Colombia, regions along the equator with high plains, cool nights, and low labor costs are the best places to grow flowers. Here’s a hint from Amy, “Roses happen to grow very well along the equator, they like warm days and cooler nights and the stems get very long.” Another advantage to places like Colombia: Bogota is a convenient 3 hour flight from Miami—which will make sense soon.

Business flocked down there in the 1970s. Colombia now exports more than a billion dollars worth of flowers each year, and most of that comes to the U.S. Other South American countries like Ecuador, Guatemala, and Costa Rica followed suit, but Colombia still has the biggest share.

This fundamentally changed the way we buy flowers here in the U.S. Before the 1970s, flowers weren’t really sold in supermarkets. The business in Colombia was just so successful that all the blossoms coming into the country needed outlets other than florists. And thus the supermarket/bodega bouquet was born! Which illustrates the point that flowers don’t just do really well in these regions, they also do really well for these regions, at least in terms of making money.

The South American Flower Machine

Carolina Loza Leon, is an Ecuadorian audio producer who went to check out the rose industry on our behalf. She visited several of the rose farms that blanket the region around Quito, Ecuador. She described the scene at one of the greenhouses near Tabacundo, Ecuador. There are some workers weeding, while another sprayed down the rows with some sort of chemical. According to Carolina, “There’s a guy zigzagging through rows and throwing pesticides, fumigating...He’s all covered but the rest are not covered, they’re wearing long sleeves and gloves and hats.”

Because flower don’t go through the same inspection process as produce entering the United States, the emphasis is on making sure there is nothing visually wrong with the product—no bugs, no fungus. So, there is a lot of spraying of these flowers and at least at this one greenhouse, not a lot of precautions for the workers. Carolina said about ten minutes after being exposed to the spray, her arms started itching, and some of the workers laughed when they saw her scratching.

In the 19th century, people literally said it with flowers. Floriography was a kind of code used by chaste lovers to express their deepest feelings. | Credit: Logan Shannon

This seems like a good time to point out that this story isn’t an exposé on labor practices and pesticide use in the flower growing industry. But from what we heard from Carolina, and from looking at what other reporters have found, it's fair to say it's a mixed bag: workers are exposed to some nasty stuff. Including some pesticides that are illegal to use here in the U.S. But it's also an industry that has bolstered the local economies of flower growing regions. 90,000 people are directly employed by the Colombian flower industry, while another 40,000 work for companies that support it.

Among the people Carolina spoke with was Jose Ivan Chorlango Sanchez. He goes by Don Ivan. He owns his own small flower farm in La Esperanza, north east of Quito. He explained the time table that goes into growing roses—some will need to be cut in a few weeks, other a month. While this might seem like a hassle, there’s a reason flowers rule this area.

In this region, prices and demand for produce is much lower. “Here, we’ve seen that there is no other business as good as this.” Don Ivan said. “Tomatoes, prices are low, demand is low. Same with potatoes...I’d need at least 5-6 hectares for potatoes to work.”

That 5-6 hectares comes out to about 12 acres, which isn’t much land by American standards, but if you’ve just got a little plot of land in the Ecuadorian Highlands, you can make a living with just a couple greenhouses, growing batches of a few thousand roses at a time.

In Don Ivan’s greenhouses, he starts cutting at around 7:00 am for about two hours, then there’s weeding and cutting off buds so stock grows straight. Cut flowers are put into water to be “hydrated” then packed off to the processor, where they’ll be classified, cut down again, and stored in a cold room.

Don Ivan’s processor is the Asociación de Productores Agrícolas Pedro Moncayo. It’s a co-op, formed as a way for smaller farms to group together and sell their flowers to wholesalers. It’s an alternative for smaller farms, formed in response to poor conditions of bigger farms in the area.

“So, while a single rose might cost you a couple of bucks in the grocery store, most of that money isn’t going to the growers themselves. It’s going to the rest of the supply chain that gets that rose to you.”

Isabel Ramirez is the director of the Asociación, and she explained the cycle between two major floral holidays: Valentine’s Day and Mother’s Day, two big booms for the flower industry that come just a couple months apart.

For small-scale growers trying to satisfy demands, it makes sense to have an Asociación like this handling your sales. Someone like Don Ivan can still be in the greenhouse cutting by 7:00 am, while Isabel’s sales team can come in early to handle sales calls on Moscow time.

Isabel explained that when her sales team comes in early in the morning they overlap for just a few hours with Russian buyers who are just about to head home for the day. Selling to folks in time zones in the U.S. is much easier. And all of this adds up to a setup that really works for smaller growers like Don Ivan, who says he gets about $0.33 per rose through the Asociación, more than he used to get through other processors.

So, while a single rose might cost you a couple of bucks in the grocery store, most of that money isn’t going to the growers themselves. It’s going to the rest of the supply chain that gets that rose to you.

“Alex Madrigal has a great line in his audio-documentary Containers that nothing ships by air except: ‘fresh flowers and fuck-ups.’”

Whether or not a flower is coming from an association or a big farm, flowers end up packed together and trundled off to a distributor, then stuffed onto a freighter plane or in the space left in cargo holds of passenger planes. These are usually some of the last flights to leave at night, to limit time spent idling on hot tarmac. This is actually a wild part of this process, since nothing else really gets shipped by air these days. Alex Madrigal has a great line in his audio-documentary Containers that nothing ships by air except: “fresh flowers and fuck-ups.”

After their luxurious airplane trip, flowers wind up—almost always—in beautiful, tropical, Miami. Why Miami?

Amy said, “Most of the flowers in the United States come through the Miami International Airport because they have a cold storage facility there that’s ready to receive flowers and food and it’ll get inspected and go on a truck. So maybe by Wednesday or Thursday it’s on a truck driving across the country to wherever you live and it might at that point make its way into a wholesale market or a distributor where it’s once again going to be in some kind of cold storage for a day or two or longer.”

The Regional Wholesale Market

Emily Herzig loads fresh flowers into her van at the Boston Flower Exchange on a cold winter day. | Photo: Molly Donahue

Let’s back up for a minute. It’s those wholesale markets that caught our interest and lucky for us there’s one right nearby: The Boston Flower Exchange (though it recently moved and has a new name: The New England Flower Exchange).

It’s basically the flowery version of a fish or meat market, complete with very local vendors hawking their wares. It’s catered to people who really care about their arrangements looking good, and who want to see what they’re getting before they buy it. Because getting a bunch of wilted flowers off the internet does not work for high-end florists and many local vendors.

Since you need someone in the industry to escort you in the Exchange we called up Emily Herzig. She owns the Emily Herzig Floral Studio up in Littleton, New Hampshire, and was nice enough to let us tag along with her.

While Emily was piling up her double decker cart at one of her vendors run by Chris Goodman, we learned one of the core tenants of coming to a place like the flower exchange: it’s about quality, not quantity.

Chris started working summers in his family’s flower shop in high school and 25 years later he’s racked up some surprisingly global connections. 80% of the flowers imported to the US come from South America, but that last 20% are coming from all over the world. There are certain trade routes that are much more popular (we get most of our flowers from South America, while Europe relies heavily on Africa) but this is definitely a global industry.

It has to be, because when a person is getting married, they don’t really care that lily of the valley are out of season. So their hardworking florist will haggle with their wholesaler and they’ll track down some lily of the valley from Japan...for a price of course. But a big chunk of the floral industry isn’t being run through wholesale markets anymore, and that’s because these days most people aren’t getting their flowers from the shop downtown. They’re either going to the supermarket or they’re going to the biggest store on earth: the internet.

From the Internet to Your Doorstep

We’re talking about FTD, internet flower juggernauts. To be fair, FTD has been around much longer than the internet; it was founded in 1910 as Florists’ Telegraph Delivery. And it’s not the only “Big Flora” business out there. There’s 1-800-Flowers, Teleflora, Pro-Flowers, every other flower related play on words you can imagine.

Most of these big companies work in similar way. Let’s say you live here, in the NHPR studios, in Concord, NH. But you want to send flowers to a friend in Austin, TX. In the FTD universe, you can go to your local florist and place an order with them. They transfer that order to a local florist in Austin, through an FTD network. Bing, bang, boom! Your florist gets a percentage, FTD gets a cut, and that local florist thousands of miles away gets a sale. That sort of transaction makes up a big part of the flower market—Teleflora claims to have 15,000 shops in its network alone.

After a boom in the market in the 1990s, the number of retail florist shops in the U.S. dropped—but the industry value continued to grow. Remember? $31 billion. And at the end of this long and wild supply chain—from a greenhouse in Ecuador, to an airport in Miami, to a wholesaler or market, then through a retailer to your doorstep—that’s still a lot of roses. Even when they’re going for a couple dollars a stem. So why roses?

Well, roses are available and in demand. And according to Amy the best selling flowers aren’t necessarily the best loved flowers—they’re just the ones we’re used to buying. “We used to just sort of roll with that and those were the flowers we wanted because those were the ones in the field, but we’ve gotten used to this more technologically advanced way to growing things where if you want a rose in February, you get a rose in February even though that’s kind of an absurd idea.”

So, if Valentine’s Day happened any other time of year, like summer, we might be giving bunches of dahlias, not roses. Genetically modified roses, at that, bred for size and color and lacking in any scent. (It’s true! Give those roses in the grocery store a whiff. A rose by any other name, would smell as sweet, but those sure don’t.) Which brings up another question: if people want huge, colorful flowers...why not just get silk ones?

“We’ve gotten used to this more technologically advanced way to growing things where if you want a rose in February, you get a rose in February even though that’s kind of an absurd idea.”

— Amy Stewart, Author of FLOWER CONFIDENTIAL

Here’s what Amy had to say, “We can all spot a fake and I think it’s not the point. The point is not to have a colorful blob, but the point is to bring some of the outdoors inside. You know, to have something of nature, but also something that’s kind of exotic.”

If this is all getting too big, too industrial, if there are too many voices trying to explain this system to you: don’t worry. Remember Emily, the floral designer from earlier? She’s your other option.

Working on design proposals today and thinking of ways to reinvent ceremony decor in rustic settings. This backdrop was so much fun to create using hop vines, moss and beautiful trailing amaranthus. See more on the @100_layercake blog from our recent feature with 📷 @lindsay_hackney & styling by @lindseymevents #weddingdecor #weddingflowers #ceremony #nhwedding #inspire #flowers

A post shared by Emily Herzig Floral Studio (@ehfloral) on Nov 4, 2016 at 6:22am PDT

Good morning ladies! Time to get dressed!

A post shared by Emily Herzig Floral Studio (@ehfloral) on Oct 1, 2016 at 5:56am PDT

Some pretty with 📷@jharperphoto at @thetoadhillfarm for a special shoot soon to be seen on @hennyjb new website.

A post shared by Emily Herzig Floral Studio (@ehfloral) on Apr 29, 2017 at 9:00am PDT

Farm to Vase

Producers Molly Donahue and Logan Shannon visited Emily Herzig’s studio in Littleton, NH where she was gearing up for that other boon for the floral industry: wedding season. Beginning in May, they’ll start doing more events, about 40 over the course of the summer, and that’s on top of the normal “say it with flowers” sorts of days, stuff like birthdays, special occasions, and of course, apologies. We caught her chatting with Emma Brumenschenkel, her assistant and all around right-hand woman.

If you’re uncomfortable with the whole flower supply chain thing, the other option is something Emily and Emma work with fairly often: local plants and flowers. The American Grown flowers movement is picking up steam, educating people about the potential profit in flower farms. In Emily’s case, she does try to work with more local flower growers, because it’s a popular option, but there’s a lot of practical reasons too:

“Floret Farms, which is actually in the Skagit Valley over in Washington, she’s a big leader of this movement where she’s doing a lot of education and training for people to grow flowers and realizing that it’s a really profitable farming opportunity that we have. There’s a need for it and it’s environmentally better to be sourcing things from within the United States...cutting down on that carbon footprint of things being shipped from all over the world.”

And Amy Stewart made a good point about this too, “When you buy local flowers, you’re not just supporting a local farmer growing flowers, you may well be supporting someone who’s also growing your food and trying to find a way to make that [aspect of their business] financially viable for them.”

This is all well and good, but there’s a reason New England isn’t the nation’s bread basket. We’re not exactly in a prime flower growing zone here, which makes sourcing locally a little tricky. Emily said she sometimes has challenges getting enough quantity, especially from local farms like Tarrnation Flower Farm that runs its own shop, and that means she has to find several sources for the same kind of flower. Or, if you’re really lucky, she might just go foraging for your event.

There’s a reason we pick up flowers from the supermarket, or put in a rush order for a bouquet when you’ve forgotten your friend’s birthday, and why silk flowers simply will not do. Emily’s assistant Emma put it like this, “You walk [into a special event] and there’s nothing and when we walk out of there and it’s like a completely different world. It’s definitely so important.” But, if you want to opt out of this wild and crazy industry, but you still want to give someone a little bit of the outdoors, maybe say no to giant bouquets wrapped in cellophane on Mother’s Day and Valentine’s Day, or at the very least forgo the roses. Mix it up a little!

Harvesting so many ranunculus today with @fitness_n_flowers ✂️💫 #floretbulbs #growfloret #farmerflorist

A post shared by Erin Benzakein - Floret (@floretflower) on May 5, 2017 at 11:27am PDT

The view from my perch. Still couldn't fit all of the beautiful ranunculus headed to the @tulipinadesign workshop into the frame. #floretbulbs #growfloret #tulipinaworkshop

A post shared by Erin Benzakein - Floret (@floretflower) on May 6, 2017 at 9:37am PDT

So happy to have @tarrnationflowers here all the way from New Hampshire to help with our first #floretworkshop of the season. She's holding Tulip 'Santander'. 💞 #growfloret #farmer florist #teamfloret

A post shared by Erin Benzakein - Floret (@floretflower) on Apr 13, 2017 at 1:01pm PDT

Outside/In was produced this week by:

Outside/In was produced this week by Molly Donahue and Sam Evans-Brown, with help from, Maureen McMurray, Taylor Quimby, Logan Shannon, and Jimmy Gutierrez.

Special thanks go to the Society of American Florists and their CEO Peter Moran. Also, thanks to Emily for bringing back the bonsai Sam bought then forgot on her cart - it’s doing well in its new home.

Our theme music is by Breakmaster Cylinder.

Ask Sam Round-up

April 27, 2017 by Guest User in Ask Sam

Since we launched the toll free version of our Ask Sam hotline, 1-844-GO-OTTER (844-466-8837), we've seen a real healthy uptick in queries. This time around we decided to ask Chris Martin of the New Hampshire Audubon, and Dave Anderson from the Forest Society to join Sam in our quest to answer your questions about the outdoor world. We've got everything from the geometry of wombat feces to planting trees by the light of the moon.

Question 1: Matt in Australia asks

"I do a bit of hiking up in the highlands where I live, and I noticed that wombats actually poo in cubes, so I did a bit of research and it said it stops it from rolling down hill. I was wondering if that would be beneficial, or not, to them?"

Oh, Matt... Matt, Matt, Matt. You do know this show is based in New Hampshire, right? Your average New Hampshire naturalist is about as likely to know the difference between a wombat and a wallaby as we are to know how to survive a week in the bush in your shockingly deadly country. Regardless, we're nothing if not resourceful, and I can find you an answer.

The standard answer that you can find swimming around on the internet is that wombat poop is square to help mark their territory, but we called up Alyce Swinbourne, a PhD candidate at the University of Queensland, who is a little bit internet famous because she has figured out how to make wombats pee on demand. She doesn't buy the cube-shaped-scat-so-it-doesn't-roll-away explanation. "They're not a territorial animal," she says, "and they tend to have a latrine. They just go to a common area, where they poo."

Alyce thinks this is basically just an odd quirk resulting from wombats' incredibly efficient digestive process. "Essentially where they live is a semi-arid environment, and so their gut basically tries to compact and draw out as much water as possible... and so they come out as really compact, really really dry little bricks." She says that when working with wombats in captivity, who have constant access to water, this square shape goes away." They would look like little love hearts, or kidney bean shapes."

There you have it, Matt. Sometimes things, like wombat poop, are just weird.

Question 2: Sally from Dover, New Hampshire asks

"I was hiking this morning with my dog near Great Bay in Durham and I looked out over the water and I saw two swans and I took my phone out and I took some pictures, because I thought this was an exciting rare bird siting. But then I thought, I couldn't imagine that swans are native to New Hampshire. So I was wondering if swans are an invasive species? Were they someone's pet that got loose? I'm curious and I'd like to know."

So many of our listeners come up with questions while wandering around outside! I love it!

Our resident bird-guy is Chris Martin, NH Audubon's senior biologist, and he was all over this question. North America does have two native swans—the trumpeter swan and the tundra swan, also known as the whistling swan after the noise its wings make in flight. However, his guess was that the bird Sally saw in Great Bay was most likely a mute swan, a bird introduced from Europe by wealthy folks who wanted the graceful birds to adorn their sprawling estates. Mute swans are big eaters, and can be very aggressive towards other waterfowl, (and hell, even towards people, as this poor soul found out) so local biologists aren't huge fans of them and many states have programs in place trying to reduce the population.

Ok, you've Asked Sam, now Sam Asks: why are all the swans named after the sounds they make/don't make?

Question 3: Tim asks

"Yesterday I was planting trees in my yard, and last night as I was lying in bed with the full moon's brightness kinda keeping me up, I thought about that old thing about, if you dig a hole during a full moon and you try to put all the soil back in during the wane moon, the soil won't fit in? Or it will? But my question translates to, does the volume of the earth, change with the moon? It's a broad question, but I'm curious."

This question has been around FOREVER. You can find it discussed on gardening blogs, physics forums, and yes, the pages of the Old Farmer's Almanac. I personally don't think there's much of a question here: sometimes you dig a hole and fail to gather up all of the dirt that you scattered about and it seems like you've got too little, other times, (because you're probably digging a hole to put something in it) you fill your hole back up and there seems to be too much. But maybe I'm just a kill-joy. [Editors note: Sometimes Sam is a kill-joy. Other times he's just a party-pooper.]

However, this whole question of planting by the moon is "as old as dirt," according to Janice Stillman, editor of the Old Farmer's Almanac. The basic idea, she says, is that traditionally people believed that one should plant root crops when the moon is waning [going from full to new] and above-ground crops when the moon is waxing [going from new to full]. This belief "dates back to the ancients, and even the earliest almanacs dating back to the Egyptians were astrological," she explains.

However, if you try to practice evidence-based gardening, you should know that it doesn't seem that anyone has really studied this in a controlled trial; probably because the science-y-est of the of science-y feel this is a silly question. That doesn't mean its not worth doing—Stillman says its a great way to "learn to observe" the natural cycles around us—and hey, it can't hurt.

Question 4: Bennett from Belfast, Maine asks

"I've had something that's been bothering me for a while, it has to do with this e-vo-lution and i was just thinking about, the other day, we was talking about shahks and they ain't changed much in a long time. But I'm under the impression that every generation of shahk that comes out or anything else for that matter, you got yourself, some of 'em, that are wicked suited to the environment that they was born in. And there's some of 'em that wahnt. And when you got an environment doesn't change much, then the ones that are most successful id be the ones that haven't mutated or nothin'. Dey ain't changed. So is that e-vo-lution in that situation or is there some other word for that? That's what I been wonderin'." [Editor's note: we really tried to capture the essence of this question in writing, but we strongly recommend listening to the audio for the full effect.]

Well, it took our panel about 5 minutes to get on the same page with this question, simply because Bennett's spectacular (perhaps, somewhat enhanced?) Maine accent led two of us to believe he was asking about "shacks": as in the small out-building used to store tools or boil maple syrup. This question on its own is reason enough to listen to this week's episode, by the way.

However, we did eventually get back on track. The consensus is that Bennett was, in part, correct. Sharks haven't had to change quickly because their environment has changed fairly slowly. However, Chris Martin (again, as an "ologist" he gets to act as our resident devil's advocate) pointed out that there are obvious and dramatic examples of how sharks have evolved since their Devonian roots. Just think of the hammerhead shark's dramatic face-blades. If that's not an argument for the power of evolution, I don't know what is.

All of this is to say, that one can say that while sharks *are* incredibly ancient, they are *not* totally unchanged by time. In the words of one shark researcher, "Dating back at least 425 million years ago, sharks are among the oldest surviving vertebrate groups. But as we have seen, the popular conception of sharks as creatures that have somehow sidestepped the processes of evolution and arrived in our time virtually unchanged is pure bunk."

Oh, and if you'd like to hear about how shacks haven't really evolved much, you should listen to the podcast.

Outside/In was produced this week by:

Sam Evans-Brown, with help from, Maureen McMurray, Taylor Quimby, Molly Donahue, Jimmy Gutierrez and Logan Shannon.

Thanks this week to Chris Martin and Dave Anderson for being some-what willing participants. You should also check out their podcast, Something Wild!

Our theme music is by Breakmaster Cylinder.

Outside/In is a production of New Hampshire Public Radio.

Leave it to Beavers

April 13, 2017 by Guest User in Fauna

Beavers (Castor canadensis), have been kicking around in North America for 2 million years. Ecologically they do all sorts of great things: their ponds ease flooding downstream, and support large numbers of bird species, fish, amphibians, and otters. They're what's called a keystone species, as in the keystone to an entire eco-system. But they're also the world's second largest rodent and a nightmare for property owners. Humans and beavers have a long history together because they like to live in the same places, but the way we've built our infrastructure has almost guaranteed our two species will be locked in eternal conflict.

We have created a trap for ourselves. A trap that ensures that we will come into conflict with nature’s most industrious rodent. A trap that also guarantees that we will come into conflict with each other as we try to sort out how to get out of this trap. That’s the conclusion I’ve reached, anyway, after spending the last few weeks researching beaver.

“For seven years I said, you can’t kill them, you have to outwit them. That’s back when I thought you could actually outwit a beaver, but you can’t.”

— Carol Leonard

Take Carol Leonard for example: a self-described “hippy-girl” who was the first registered midwife in the state of New Hampshire. (Incidentally, in what was perhaps the weirdest reporting coincidence I’ve ever come across, Carol was the same midwife who helped deliver me, 31 years ago.) When Carol retired to a beautiful 400-acre spread in mid-coast Maine, hoping to build her dream house, she and her husband ran head-first into conflict with beavers. A growing dam led to an expanding pond that was getting ominously close to where Carol wanted to put her septic system.

A pick-up truck swallowed whole by a beaver dam. | Photo Courtesy of Mike Callahan, beaversolutions.com

“For seven years I said, you can’t kill them, you have to outwit them,” Carol told me. “That’s back when I thought you could actually outwit a beaver, but you can’t.” Eventually Carol apprenticed to become a trapper. Her decision was that if she couldn’t outwit them, she would eat them. “I always thought I was on the other side, when I was doing my midwifery, so it always surprised me when I got into trapping.”

Beavers and people like to live in the same places, and if you pick a fight with a beaver, here’s what you’ve got to consider: we’ve got other stuff to do—jobs, meals to cook, soccer games. Beavers on the other hand, they do one thing: build dams.

So if, as in Carol’s case, a beaver were eyeing the same spot that you wanted to live, what would you do?

First We Eliminated the Beaver

If you’ve never seen a proper, massive beaver dam before, you need to get yourself over to Google image search right now and look at some. The biggest one in the world is about a half a mile long and 13 feet tall, and was identified from outer space.

Beaver teeth grow constantly, and they actually have to keep chewing wood to keep them in check. And yes, they do actually just eat wood: they eat the cambium, the soft spongy layer of new growth that’s just under the bark.

On the ecological side, beavers do all sorts of great things. Beaver ponds help to ease flooding downstream. They slow water down as it rushes towards the ocean, meaning they help to recharge drinking water aquifers. Their ponds support large numbers of bird species, fish, amphibians, otters. They’re what’s called a keystone species, as in the keystone to an entire ecosystem.

Beaver have been kicking around in North America for 2 million years. What’s new, on the millennial time scale, is Europeans.

When the Europeans arrived in the US, first came the fur trappers and fur traders, driven by intense demand for top hats, made from felt which is made from beaver fur. (Because nothing says class like putting the world’s second largest rodent on your noggin.) They traded extensively with Native Americans, and paid them for every pelt they brought. After the fur traders, came the farmers.

“On the ecological side, beavers do all sorts of great things.”

“Beaver were going to be both a source of cash for these settlers and, of course, a problem for these settlers, because beaver are competing for the same environment,” explains Ann Carlos, economic historian from the University of Colorado Boulder.

Beaver ponds, once the dams are destroyed and the water drains, turn into something called beaver meadows, which are fantastic places to grow crops. So farmers come in, trap any beaver that are left, destroy the dams, drain the ponds and make their fields. One study found that sixteen states lost more than 50 percent of their wetlands as the settlers rolled in. Another six states, mostly in the Midwest, lost more than 85 percent.

“By about 1830, many of these populations were being seriously over harvested, and run down,” notes Carlos. This was especially true in the United States, where all throughout the Northeastern part of the US, beaver were virtually wiped out.

And Then We Set The Trap

Meanwhile, year after year, we’re building. Those farms built on old beaver ponds are connected together by roads. More of the fields are subdivided and turned into housing developments. Bit by bit, we occupied the space the beavers once held.

Pat tate with a local beaver's handiwork | Photo: Sam Evans-Brown

Then in the early 1900s, we brought the beaver back. Why? Because for one, biologists had begun to recognize how good they are for ecosystems. But also people like having beaver around as a game species. In other words, an animal that is around so they can be trapped. So wildlife agencies reintroduced them and helped them build back up until they numbered in the thousands.

“Our roads were based on native American trails—a high number of them—and a high number of those native american trails were based on game trails. And I can say as a hunter who has walked all over the state of New Hampshire, their preferred wetland crossing every time has been a beaver dam,” explained Pat Tate, the furbearer biologist for Fish and Game here in New Hampshire.

In other words, many of our roads have been built the same spot that beavers like to build their dams. And in the cases of bridges and culverts, we punch a tiny hole through those roads for the water to pass, which is like a giant blinking arrow to any beaver that encounters it, indicating “build your dam here!”

So What Do We Do? Kill them?

The paradigm under which we currently operate is called the American system of wildlife management, under which wildlife is a commonly owned resource, and through regulation we decide how many animals we will kill. Are deer eating the shoots off of too many saplings out in the forest? Increase the number of deer hunting permits issued. Are farmers complaining about losing livestock to coyotes? Relax limitations on hunting them. Are there so many beaver that they are expanding wetlands until they flood wells and roads? Call in trappers to reduce beaver populations in that location.

This ensures that the population stays below what is called the “biological carrying capacity” which is a fancy science-y way of saying “how many beaver the land can sustain.” Pat Tate is a big believer in keeping animal density low, because he believes it makes the animal’s lives better.

“I once removed a beaver that had a beaver-tooth in its back, and it didn’t grow its own tooth in its back, that was a tooth from another beaver that somehow broke off in the animal’s back.”

— Pat Tate

Jeff Traynor shows us one of his beaver traps. The stick is the food. | Photo: Logan Shannon

Beaver are very territorial animals. When a young beaver reaches two-years-old, they strike out on their own to find their own water body to live in. Often they have to battle other adult beavers to find their place. “I once removed a beaver that had a beaver-tooth in its back, and it didn’t grow its own tooth in its back, that was a tooth from another beaver that somehow broke off in the animal’s back,” Pat said, “As I’ve reduced numbers in the wetlands, and went back subsequent years to trap, the amount of scarring and bite-marks on the beaver decreases. So the individual animal’s health increases.”

Most trappers aren’t doing it for a living, or to feed their families they do it because they want to. They want to connect with a tradition they identify with, or maybe they just like getting outside, and doing the close observation of nature that trapping requires.

And trappers I’ve spoken to hear a lot of hypocrisy whenever they hear people call trapping immoral. For instance, a trapper from Southern New Hampshire, Jeff Traynor, points out there isn’t the same outrage at housing developments or highways or parking lots: forces that have just as much to do with keeping beaver populations low.

“We are the most invasive species on the planet, there’s no doubt about it,” he told me, “As we encroach more we’re pushing them. So where is that overflow going? There’s only so many places that they can go. It comes to a point where you can say, well let’s just let nature take its course, or you can say, as human beings can we manage this creature with moral wisdom?”

Jeff Traynor prepares a trap. | Photo: Logan Shannon

One of jeff traynor's traps under a thin layer of ice and snow | Photo: Logan Shannon

After chopping away at the ice, jeff Prepares to check the trap. | Photo: Logan Shannon

Or Just Keep Them Off Our Lawns?

But this “moral wisdom” argument, just doesn’t do it for many beaver believers. Skip Lisle, founder of Beaver Deceivers International, has heard this argument for years in his line of work, and doesn’t buy it. “You know, you always hear, we have to kill the beavers so they don’t get hungry. And if you were an individual beaver, you can imagine which choice they would choose if they had one to make, right? Would you rather be hungry or dead?”

The proponents of restricting beaver trapping often point out that while some management decisions are based on ecosystems science—with government biologists going out and to try to estimate how many animals the land can sustain— other times, the decision is based on our willingness to tolerate animals. This is, almost euphemistically, what we call the “cultural carrying capacity.” And for beavers, it’s often that cultural limit, and not the actual limits of the habitat, that they bump up against.

“Beavers are a two-million-year-old species, right? By some miracle, they survived just fine. They suffered, they died, they thrived, but they did it on their own, like most species do. You know we don’t manage chickadees so that some chickadees aren’t hungry sometimes.”

— Skip Lisle

Skip and his disciples argue they can increase society's tolerance for beaver by keeping the two species from coming into conflict. Beavers’ damming instinct is triggered by running water, and by using a clever arrangements of grates, culverts, and drainage pipes, Skip keeps beaver far enough away from the running water that they don’t get the urge to start building a dam.

By putting in this type of “fixed protection” whenever a conflict arises, Skip argues we can have the best of both worlds: a growing beaver population and an infrastructure that isn’t submerged under beaver ponds. For him, the argument that trapping leads to a healthier population is beside the point.

This is a pond leveler or flow device, prior to being installed. This device tricks the beaver into believing that his or her dam is working. | photo courtesy of Mike Callahan.

“Beavers are a two-million-year-old species, right? By some miracle, they survived just fine. They suffered, they died, they thrived, but they did it on their own, like most species do. You know we don’t manage chickadees so that some chickadees aren’t hungry sometimes.”

These pipes and fences, limit where and how much habitat beavers can make. When the young beaver in these beaver colonies move out of their parents lodge, they won’t be able to just make this pond bigger and move to the other side. Instead of coming into conflict with humans who live close to the pond of their birth, they set off over land, and come into conflict with things that normally keep beaver populations in check: predators or other beaver.

Or maybe they’ll just wind in somebody else’s backyard; someone less dedicated to a non-lethal intervention.

What Would Happen If Trapping Went Away?

In 1996, animal welfare groups put forth a ballot referendum in Massachusetts proposing to eliminate the use of ,what they considered to be, inhumane traps. The referendum passed, making Massachusetts one of a handful of states to restrict the use of the standard trap that is used to kill beaver. After the referendum passed, the beaver population tripled in just a few years. (Though local wildlife advocacy groups argue this would have happened even if trapping was left in place.)

“As a result, the conflicts with people and the complaints essentially skyrocketed,” said Dave Wattles, the furbearer biologist for MassWildlife.

Mike Callahan of BeaverSolutions.com installed a flow control device on our beaver pond, to maintain the pond at its current level.

While the beaver advocates likely see the population boom as a victory, the rise in complaints had unintended consequences. In 2001 the state legislature passed a bill allowing kill trapping to be done through an emergency permitting process. Now though, those permits are given out by towns, instead of the state. This means that the state is no longer collecting data about how much trapping happens in Massachusetts, and that beaver can be trapped in the spring when it's possible to kill mothers, thus leaving young kits abandoned.

Dave Wattles also notes that beavers killed under a nuisance permit aren’t necessarily used for meat or fur. “The beaver that are now taken during these emergency permits, quite often they’re just trapped and thrown into a landfill and not used at all.”

What Would You Do?

Carol Leonard, who started off our story, spent seven-years trying to figure out how to fool the beavers on her property. “In my naivete I said oh well we’ll try these beaver deceivers and these beaver bafflers and all these do-hickers,” she recalled. But eventually she gave up and apprenticed with a trapper, and started to trap out the animals that threatened her property.

“I think the traditions of hunting and trapping in New England are good, healthy traditions. And I can’t talk against hunters… I can’t. I’m a meat-eater.”

— Carol Leonard

“We are meat eaters, you know, we are hunter gatherers, it’s part of who we are. And so to be able to turn a blind eye to that is just a blind eye,” she said. She applauds animal rights activists, but says she thinks their efforts are better spent protesting concentrated animal feeding operations, or other places where animals live short and miserable lives before heading to our plates.

“I think the traditions of hunting and trapping in New England are good, healthy traditions. And I can’t talk against hunters… I can’t. I’m a meat-eater."

Carol says she has trapped somewhere in the neighborhood of 30 beavers from her property, and while many still remain just downstream, the pond that was threatening her septic setback is no longer growing. In 2015, she and her husband were able to start construction and their home, now completed, is gorgeous, judging from a recent photo spread done by Down East Magazine.

Beavers and people, we like to live in the same places. And if you ever find that a family of them are eying the same spot as you... well, good luck.

A beaver lodge on a pond in Art Wolinsky's neighborhood.

Photo: Logan Shannon

Art Wolinsky shows Sam the beaver deceiver.

Photo: Molly Donahue

This is how Art Wolinksy tricks the beavers into believing their dam is working.

Photo: Logan Shannon

Sam and Art Wolinksy talking to a neighbor who was in the process of cleaning up some of the beaver chewed trees.

Photo: Logan Shannon

Jeff Traynor showing the different layers of fur in a beaver pelt.

Photo: Logan Shannon

Jeff Traynor's tools.

Photo: Logan Shannon

Jeff Traynor and Sam install a new beaver trap in the pond.

Photo: Logan Shannon

Jeff Traynor looking out over the pond.

Photo: Logan Shannon

A view of the private pond Jeff Traynor traps beavers on.

Photo: Logan Shannon

Sam prepping his recording equipment.

Photo: Logan Shannon

Outside/In was produced this week by:

Sam Evans-Brown, with help from, Maureen McMurray, Molly Donahue, and Jimmy Gutierrez. Logan Shannon was our digital producer.

Thanks this week to Ben Goldfarb, Dave Wattles, and Peter Busher, all beaver pros who helped me sort this week’s story out.

Music this week from Ari De Niro, The Marian Circle Drum Brigade, Blue Dot Sessions, Revolution Void, Jason Leonard and Podington Bear. Check out the Free Music Archive for more tracks from these artists.

Our theme music is by Breakmaster Cylinder.

Outside/In is a production of New Hampshire Public Radio.

Full Disclosure

March 30, 2017 by Taylor Quimby in Fauna, Flora

Nature documentaries and wildlife films transport us to places in the world that still feel wild, but what if the wilderness they present is staged? What if, in order to capture nature’s unvarnished beauty and conflict, filmmakers have to engage in a bit of fakery? In this episode we examine how deception is used to enhance the drama of nature documentaries, from Disney’s Oscar-winning film White Wilderness, to the incredible footage featured in the BBC’s Planet Earth II. Plus, we own up to some of the production tricks we use to make this podcast.

Nature Documentaries: The Good, The Bad, The Ugly

I’d love to say that I’ve never used TV as a parental crutch, but there are days when I’m trying to work from home, or am just plain exhausted, when I’ll do anything to keep my 5-year old son distracted for a solid hour. As a form of dubious justification for letting my flat screen babysit, I’ll put on something “educational”—which usually means choosing something from Netflix’s extensive collection of nature documentaries. The BBC series Life is a household favorite, or the new Planet Earth II. The basic philosophy is that learning about porcupines is more valuable than learning about Pokémon, that watching bats is better than watching Batman.

This behaviour has never been filmed before! Hatchling marine iguanas are attacked by snakes hunting on mass. This clip was taken from the Islands episode of Planet Earth II.

But then again, what’s so inherently valuable about the wildlife programs? Like all TV, the genre varies widely when it comes to quality. There’s the BBC stuff with the incredible “how-did-they-do-that?” shots, but there’s also the now infamous “Megalodon: The Monster Shark Lives”, a fake documentary that aired as part of Discovery Channel’s 2013 Shark Week.

“The question is not, is wildlife or nature programming educational,” says Cynthia Chris, author of Watching Wildlife. “The question is, what is it teaching? Is it teaching us factual things that will help us care for and protect the environment? Or is it teaching things that will encourage us to fear and disdain and destroy the environment?”

I can hear you groaning from here. Why does everything involving the environment turn into a finger-wagging message about social responsibility? I hear you. I don’t want to take the fun and wonder out of nature documentaries. That’s what makes them so great! But there are some ways we can watch them a little more thoughtfully even if we’re watching a show about a giant fictional shark.

Teach Younger Kids to Get Savvy: Listen For the Sound of Deception

The best nature documentaries are able to get incredible close-up shots of animals - so close you might wonder, how the heck did producers capture that amazing sound? Sadly, the truth is that they probably didn’t. Wildlife filmmaker and author of Shooting in the Wild Chris Palmer will tell you that when you hear a bird flapping it’s wings, that’s likely sound engineer opening and closing an umbrella. (I suggest that you go try this one immediately.)

We're taking you behind the soundproof doors into the world of Earth Touch's audio experts as they practise the finicky art of Foley & sound design. See exactly what it takes to enhance or recreate nature's diverse sounds and bring a wildlife documentary to life.

A lion tearing into a freshly killed antelope? That’s a someone cracking some fresh celery in half.

Not everything is totally faked, but footage shot in slow motion or sped up through time-lapse photography doesn’t capture audio at all, which means that whatever you’re hearing was at least captured separately and added in post-production. Sometimes, sounds are even created that don’t exist in nature at all. Frank Scheuring is a sound mixer and editor, and president of Capital Post Production. He also worked on the first Planet Earth series. He says that if you see something, you expect to hear something too. “A jellyfish probably isn’t going to make a sound at all, but if there’s no sound there, it’s less believable. It’s really just enhancing reality, and trying to bring [the viewer] into the environment.”

Dave Birch, audio manager at Earth Touch explains the art of foley.

Once you accept the truth that most nature documentary sound effects aren’t authentic, it can be a pretty big mood-killer. Is NOTHING real? But once you get used to the idea, it can make for an interesting game: try guessing if the sound you’re hearing is fake or not fake. Underwater scene? Fake. Slow-motion? Fake. Teeny tiny bird? Probably fake.

If you really want to get into it with kids, collect some household items, turn the TV to mute, and try making your own sound effects!

Introduce the Idea That They Aren’t Getting the Whole Story

Even the most reputable nature documentaries often steer away from issues like climate change, or deforestation, implicitly depicting the wild places of the world as pristine or untouched by human influence. That’s part of what makes them so beautiful: there’s a dignity to the elegance of the natural world it that feels timeless.

But it’s also pretty misleading, and both filmmakers and environmental philosophers have argued it’s counter-productive.

“It’s important that films carry a conservation message, and part of that message should be that people are not separate from nature,” says Chris Palmer. Palmer specializes in IMAX films, and says that getting those pristine shots we love is getting increasingly harder to do. “It’s hard to get a shot without a boat in the background, without a car in the background, without smoke, you know - there’s signs of people everywhere.”

This behaviour has never been filmed before! Hatchling marine iguanas are attacked by snakes hunting on mass. This footage was filmed for the Islands episode of Planet Earth II.

One interesting way to enhance the educational opportunity of a nature documentary is to have a map or globe handy while you’re watching. Occasionally pause the film to look up places featured in the program. How big is this island of seemingly un-fragmented wilderness? How close is the nearest human settlement? How might your impression of the scene change if you knew there was a safari tour bus just off-screen? Look out for “behind-the-scenes” videos that help illustrate how programs were shot and produced. It’s strange to see camera people, but it gives you a better sense of how filmmakers use their craft to get the desired reaction from the viewer.

A behind the scenes look at the snake/iguana scene, which reveals that the filming was - for the most part - continuous, and that the behavior being filmed is very real… Even if the sound is not.

TV shows like Nat Geo’s “World’s Weirdest” or “72 Cutest Animals” are a fun way for kids to learn about animal behaviors, and tend to feature rare or bizarre creatures that can really capture the imagination. The pangolin, which looks like a cross between an anteater and an armadillo, is arguably worth its appearance on Nat Geo’s “World’s Weirdest” series, but the fact that the pangolin is the most trafficked animal in the world goes unmentioned. According to the African Wildlife Foundation, some 100,000 pangolin are slaughtered every year for their scales. Two species of pangolin are listed as critically endangered.

This begs an important question for parents: is it enough that these programs build wonder for the natural world or must they also put a spotlight on pangolin poaching? I tend to think a light touch on the bad news is the best approach. Research has shown that exposing children to calamities beyond their control when they’re too young may actually cause them to become fearful and even more disconnected from the natural world. But by remaining alert to what is left out of these documentaries, it can help you to connect the dots once your kid is ready.

As They Get Older, Teach Them About How Things Have Changed!

Some of the “classic” wildlife documentaries of the past are just as dramatic as anything you’ll see on the BBC, but not always in the ways you might expect. Jacque Costeau is remembered as a charismatic oceanographer, explorer, and co-inventor of the aqualung. He is also celebrated as an early conservationist who believed in protecting the quality and life of our oceans. Frankly though, his films are hilariously cheesy for modern audiences, filled with pulpy adventure narration and unnecessary shots of Cousteau’s bare-chested crew lazing about his vessel. Aside from the claymation fish, Wes Anderson’s film The Life Aquatic is actually a pretty good recreation.

And yet, watching someone known for being a pioneer conservationist, Cousteau reflected the values of his day. One scene from the Academy award winning documentary The Silent World is especially shocking: Cousteau’s ship strikes a young whale, injuring it badly. The crew decides to end the whale’s misery (their words) by shooting it in the head. The now deceased whale’s blood attracts a number of sharks, who start shredding it to bits. It’s already a gruesome scene, but escalates to new levels of horror when Cousteau’s crew start “avenging” the whale (even though they were the ones that killed it) by hooking sharks onto the boat and butchering them with axes. The scene lasts several minutes, and is narrated by Cousteau himself without a hint of irony.

(Now that I think about it, this scene is pretty graphic, so it might be best to do this exercise once your kids are teenagers.)

The Silent World “Whale and Shark scene”

As abhorrent as this scene is now, it tells you a lot about how much our understanding of the natural world has changed in the last century. This film was shot before the famous “Save the Whales” campaign, before the establishment of the EPA, even before the founding of the Humane Society of the United States. Even for an ardent conservationist like Cousteau, sharks were viewed as killers and so the world was considered to be better off without them.

When nature documentaries during this era weren’t killing animals on screen for entertainment, they were sometimes doing it behind the scenes as part of film production. Disney’s True Life Adventure series is one of the worst culprits, which you’ll discover in Bob McKeown’s excellent documentary on the subject for the CBC’s The Fifth Estate. For older kids and adults looking to pull the curtain back on early nature documentary production, this is a must watch.

This is Bob McKeown’s original documentary on animal cruelty in Hollywood for the 5th Estate, which includes his investigation into White Wilderness.

Final Thoughts: Are Nature Documentaries a Form of Journalism... or Entertainment?

Examining the natural world is, in part, the vocation of scientists and conservationists, and so there is a distinctly empirical flavor to nature documentaries. As opposed to non-fiction films that focus on contentious social or political issues, nature - it would seem - is simple, even in all of its evolutionary complexity. But nature documentaries, rooted in science as they may appear, are not bound by the same ethical considerations that science or journalism are.

I asked Chris Palmer, do wildlife filmmakers see themselves as journalists or entertainers? “A bit of both,” he told me. “They have to be entertainers. If they don’t entertain their audience the ratings and box office numbers will be low, they won’t get rehired, and their career will be in tatters.” On the other hand, Palmer says, to call something a documentary is to claim that the work is accurate, truthful, and was responsibly produced. “The bottom line is that their are no rules; each filmmaker approaches this challenge in their own individual way.”

Elizabeth White, one of the producers for the new BBC series Planet Earth II, says that their filmmakers receive ethics training - something Palmer has openly advocated for. When I asked her how she sees herself, she said, “as a scientist and filmmaker who is trying to engage audiences through wildlife storytelling.”

By teaching your kids what’s real and what’s not when they watch nature documentaries, you’ll be equipping them to see the world with a healthy dose of skepticism. And preparing them to enter a world that won’t cleanly delineate between facts and fiction for them.

Also… if you do this right, they shouldn’t believe the megalodons are still alive.

Here's a handy flow chart to help you watch documentaries with a careful eye. | credit: logan shannon

Outside/In was produced this week by:

Taylor Quimby and Sam Evans-Brown, with help from, Maureen McMurray, Molly Donahue, and Jimmy Gutierrez. Logan Shannon was our digital producer.

A big thanks to Chris Palmer and Bob McKeown - more than thirty years on, Cruel Camera is still an amazing piece of journalism. A few years ago, they did an update on the show, and interviewed David Attenborough, and looked at how much has changed in wildlife filmmaking since the 80s.

Thanks also to Cynthia Chris. Her book Watching Wildlife traces more of the history of the wildlife genre, and digs into some really thorny philosophical questions about how we use animals as a proxy to reinforce cultural norms. We didn’t have time to get into it here, but it’s some heady stuff.

And special thanks to Elizabeth White and the BBC. She and the folks at Planet Earth have actually put out some behind-the-scenes footage of how they made the iguana snake scene, and some other amazing moments from the series. They’ve been really candid about their practices, so we’re not the only ones that are big on disclosure.

Music this week from Mon Plaisir. Check out the Free Music Archive for more tracks from this artist.

Our theme music is by Breakmaster Cylinder.

Outside/In is a production of New Hampshire Public Radio.

The Company Man

March 16, 2017 by Guest User in How We Use It, Energy

When he was just 38 years old, Mackie Branham Jr., a coal miner, was diagnosed with progressive massive fibrosis, a debilitating and terminal form of black lung, a disease that was thought to be a relic of the past; a problem when coal mining was at its peak. In this episode we hear from Branham and his family, in a collaboration with Producer Benny Becker who reported on the resurgence of black lung in coal country. We'll look into why, despite the severity of the illness and the large number of miners being diagnosed, it's not getting a lot of attention.

Mackie Branham Jr. | Photo: Benny Becker/Ohio Valley ReSource

For more information on the plight of Mackie Branham Jr. and other coal miners like him, and the resurgence of black lung, we encourage you to read/listen to the reporting done by Benny for Ohio Valley ReSource back in December of last year: "Fighting for Breath: Black Lung's Deadliest Form Increases"

After the story first aired, Benny and the Ohio Valley ReSource received many requests asking how they could help the Branhams. This is a follow-up to the story: "How to Help Those 'Fighting for Breath'"

These stories resulted from an investigation by NPR's Howard Berkes which uncovered an alarming trend of progressive massive fibrosis in Appalachia. Howard's original story can be found here: "Advanced Black Lung Cases Surge in Appalachia"

We also recommend watching Harlan County USA, the Academy Award-winning documentary from Barbara Kopple which follows a grueling coal miners' strike in Kentucky in the mid 70s.

In 2008, the National Institute for Occupational Safety and Health (NIOSH) produced this film, Faces of Black Lung which shares the stories of two miners suffering from black lung disease.

Outside/In was produced this week by:

Benny Becker and Sam Evans-Brown, with help from, Maureen McMurray, Taylor Quimby, Molly Donahue, Jimmy Gutierrez, and Logan Shannon.

Thanks to NPR and to Howard Berkes for sharing some of Howard’s audio from his reporting. Also, thanks to Jeff Young of the Ohio Valley Resource and to WMMT, Appalshop’s community radio station.

If you’ve got a question for our Ask Sam hotline, give us a call! We’re always looking for rabbit holes to dive down into. Leave us a voicemail at: 1-603-223-2448. Don’t forget to leave a number so we can call you back.

Music this week from Mon Plaisir. Check out the Free Music Archive for more tracks from this artist.

Our theme music is by Breakmaster Cylinder.

Outside/In is a production of New Hampshire Public Radio.

Bonus Episode: 3 1/2 Feet Under

March 09, 2017 by Taylor Quimby in How We Use It

Listen. If you want jokes and nuance, listen to Episode 30: The Death Machine. That’s where we do that sort of thing. This is a bare bones explainer (only pun, I swear) and resource list for readers who are interested in learning more about green burial and funeral practices.

What is Green Burial?

Green, or natural burial, is when a body is buried without the use of chemical embalming, big heavy hardwood or metal caskets, and burial vaults. People choose green burial for environmental, religious, and personal reasons. Public viewings and memorial services are still possible, even without embalming. On the whole, green burials are significantly cheaper than conventional burials. When paired with home funerals, another growing DIY movement, green burial can be even cheaper than cremation.

Green Cemeteries

Many conventional cemeteries require a burial vault - and therefore do not accommodate true green burials. However, there are two types of cemeteries that do allow green burial - conservation burial grounds, and “hybrid” cemeteries. Conservation burial grounds, like Ramsey Creek Preserve, are burial grounds that are used to further environmental conservation. These grounds look more like parks or nature trails than cemeteries, and often have strict requirements about things like headstones, flower plantings, and burial density. “Hybrid” cemeteries are conventional cemeteries that have set aside plots exclusively for green burial. These cemeteries are less dedicated to environmental pursuits.

State by State

Different states have different laws about who is and is not allowed to handle various aspects of the funeral process. Some states require funeral directors to be involved, others do not. In order to prepare for your own death, or the death of a loved one, you’ll need to do some research to see what options are and aren’t available.

What do you want to happen to your body when you die? Reply with your answer if you chose OTHER.
Listen to Ep.30: https://t.co/I8QdKju3Hy
— Outside In Radio (@OutsideInRadio) January 19, 2017

Cremation Options

If you choose to go the cremation route, here are some interesting things you can do with your ashes, but keep in mind, not all of these services and products get the thumbs up from green burial advocates. So if you’re looking to keep your impact minimal, you might need to do some additional research.

Help grow coral
Press them into a diamond
Have them pressed into a vinyl record
Put them in a special urn that gets placed under a baby tree

Resource List:

Download your state’s “Advance Directive” form
Check your state’s funerary laws. Please note: this list was compiled a few years back, so double-check any information with local resources if you can find them.
A NH guide to doing a DIY home funeral.

Outside/In was produced this week by:

Taylor Quimby and Sam Evans Brown, with help from Maureen McMurray, Logan Shannon, Molly Donahue, and Jimmy Gutierrez.

Again, special thanks to all the folks we’ve spoken to for these two green burial stories - and to Lee Webster.

Our theme is by Breakmaster Cylinder.

Additional music in this episode from Podington Bear and Blue Dot Sessions. Check out the Free Music Archive for more tracks from these artists.

Outside/In is a production of New Hampshire Public Radio.

Gnar Pow

March 03, 2017 by Guest User in Pursuits

Is skiing a sport reserved for rich people? It’s a question that has come up among the Outside/In crew a bunch this winter. Producers Maureen and Jimmy think so. They’ve never been skiing, and always associated it with exclusive resorts and tricked-out gear. Sam wants to prove them wrong.

In this episode, Sam takes his skeptical colleagues skiing for the very first time to prove that it doesn’t have to be a fancy endeavor. Will he succeed? Will it be wicked expensive? Will they enjoy it? Listen to find out.

“When did skiing get fancy?”

This was the question that set this all off. It came from Maureen McMurray, executive producer over here at Outside/In. Or at least that’s how I remember it.

“What makes you think skiing is fancy?” I probably didn’t say this in response, but I likely thought it. I started snowboarding because every Friday during the month of February my entire public school would go skiing. The mountain offered discounted tickets, and after a few years of being one of just a handful of kids to stay behind and choose between activities like calligraphy or cribbage, I scrounged together my odd-jobs money until I could get equipment. I’m reflexively defensive of skiing.

Both Maureen and our newest producer Jimmy Gutierrez had never been skiing, and so for me this kicked off a quest to convince them that skiing is not just a sport for “fancy people.”

But the truth is that today, I hardly do any alpine skiing. I essentially refuse to go unless there has been fresh snow in the past 48 hours. Even then, I tend to rely heavily on the “daily deals” that many resorts offer. The lift-tickets are simply too expensive, and I find the dollars-to-fun ratio to be much higher in cross-country skiing.

Nonetheless, I took them both to Loon Mountain, one of New Hampshire’s biggest and most expensive ski areas, where Jimmy revealed himself to be a quick study. “Too much rigmarole,” he said, “Price-wise, value-wise, would I ever do this again? I don’t think I would.” In one day he had reached the conclusion that I seem to have landed on after a decade on the slopes.

Maureen, on the other hand, was determined to try again, despite having had a rough day. “I was genuinely part angry and part humiliated,” she said, after getting down off the trails.

As a new skier, it’s hard to justify spending a small fortune for the privilege of falling down over and over while doing laps on the bunny hill. And in retrospect, going to one of the biggest and most expensive ski resorts for their first day on snow was simply silly. If all you need is a gradual incline, there’s no reason to shell out for big-mountain lift tickets.

So I recalibrated. Our second stop was the Veteran’s Memorial Recreation Area in Franklin, New Hampshire. This is a volunteer-operated community ski area that has a 100-year lease from the city, which cost it $1 back in 1961. Lift-tickets are only $20 for the day and it comes stocked with a basement full of donated equipment, free to use at your own risk.

This is not a hill that will keep experts enthralled for a full day: it has a rope-tow and a T-bar and only 230 feet of vertical drop. But as long as the snow is good, (a big if, given that the hill doesn’t have snowmaking) it’s perfect for beginners.

Little backyard ski hills like this used to be in virtually every town that had any kind of significant incline in New England. The “golden era” of skiing began in the 1930s, according to Jeremy Davis, founder of the New England and Northeast Lost Ski Areas Project. He says at the peak of the craze there were five or six hundred rope tows all across the region.

“That’s what’s really incredible about the whole thing, is you look at the sheer volume of these places, and they were pretty much everywhere,” said Davis, “I think it’s really hard for people to realize how many of these places there were.”

These ski areas were done in by a number of factors that lead to consolidation of the ski industry: rationing and travel bans during World War II took the first bite, increasing competition from mountains that were able to invest in new lodges and better grooming, not to mention higher costs for insurance and snowmaking today. In the end, smaller ski areas have all but ceased to exist.

In Ep. 33 @SamEBNHPR tries to teach @Moe_McMurray & @JimmyGootz to ski with...varying success https://t.co/tuTOC66K0k pic.twitter.com/bGlvsGxOcW
— Outside In Radio (@OutsideInRadio) March 3, 2017

But for new skiers like Maureen who find the big mountains intimidating, places like the hill in Franklin are hard to beat. “I love this,” Maureen said upon walking into the lodge and seeing the families seated next to a hot wood stove, outfitting their tiny children with second-hand boots and skis.

But, the truth is, the future doesn’t look great for these community ski areas. Last year, Franklin was unable to open at all, because the conditions were terrible all winter long and the outing club that runs the hill can’t afford snowmaking. “We rely on natural snow,” said Kathy Fuller, matriarch of the Franklin Outing Club, “and that’s an issue.”

In other words, these inexpensive, truly accessible ski areas are an endangered species. A 2012 analysis by an economist based in Canada forecast that in the 2020s, ski areas in New Hampshire would experience a 25-40% increase in the need for snowmaking. As these snowmaking expenses start to increase, this analysis forecast that even major ski areas in New England would start to go out of business. Of the 103 resorts the study modeled, it predicted only 30 would be economically viable in the 2070 to 2099 timeframe.

And that’s ski areas that make artificial snow. Those that don’t... how long can they last?

Skiing is not an inexpensive sport, but at least when I was growing up it was one that most kids in my public school class were able to afford. I think the question in my mind is, given the way things are going, will that be the case when my kids are ready to try skiing?

Outside/In was produced this week by:

Sam Evans-Brown with help from Maureen McMurray, Taylor Quimby, Molly Donahue, Jimmy Gutierrez, and Logan Shannon.

Special thanks this week go out to Veteran's Memorial Recreational Ski Area, Loon Mountain, and New England Lost Ski Areas Project.

Our theme music is by Breakmaster Cylinder.

Fantastic Mr. Phillips

February 16, 2017 by Guest User in Pursuits

In the late sixties, a soap factory in suburban Illinois discovered one of its outflow pipes had been intentionally clogged by an industrial saboteur. Does environmental damage ever demand radical action? And when does environmental protest cross the line and become eco-terrorism?

In a suburb of Chicago, there is a Dial soap factory.

One day in 1969, a pipe that carried industrial waste out of the plant got clogged and started to back up, causing the factory to shut down. When the employees located the problem they realized the pipe was full of debris that had been mixed with concrete.

By one account, it was as much as seven tons of junk clogging up the works.

Article detailing a second attempt by the Fox at clogging the pipe. | The Aurora Beacon News | march 24th, 1971 | Page 1

Next to the pipe was a sign, which said something along the lines of: “Armour-Dial pollutes our water.” (Back then, Dial was still a subsidiary of the meat-packing company Armour.) The sign was autographed with: “the Fox.” The signature might have been referencing the river that this sludge was polluting—the Fox River—but it came to be known as a pseudonym; a calling card for a mysterious environmental vigilante.

Seven years earlier, the state of Illinois passed a law that was supposed to limit the chemicals that factories like this could dump into rivers and lakes, but Armour-Dial had largely ignored it. Now, somebody was calling them out on it; under the cover of darkness, somebody had come to teach these companies a lesson.

This protest didn’t bankrupt Armour-Dial, but it was just the beginning of a years-long campaign that this anonymous crusader waged against the company. In 1975, six years later, the state of Illinois brought them to court, and told them to clean up their act; the Fox had beaten an industrial giant.

Today, we know who waged that secret campaign. When this all started, he was a high school biology teacher named Jim Phillips.

“He didn’t make a plan to be ‘the Fox’. He didn’t come out and say: 'Here’s what I’m going to do, I’m going to be a crime-fighter, I’m going to be an environmental sage!' or whatever,” says Rob Phillips, one of the Fox’s nephews.

“This is a guy who’s upset,” adds Jim Spring, another nephew. “This is an average American who saw an injustice and went, wait a minute, that’s ridiculous.”

The Fox is Born

Jim Phillips, according to his nieces and nephews, was the fun uncle. He never got married, never had kids, but kids loved him.

“It was such a treat to go spend the night out there on the weekends, and part of that was rambling around at night actually, just looking at stars, looking at nature,” says Nancy Spring-Epley, one of Phillips’ nieces. “We would wander up to probably a couple of miles from the house; we’d go out for hours at a time after dinner.”

This was a time when the waste products of the industrial revolution were starting to get totally out of hand. The year the Fox carried out his first caper was the same year that—being absolutely covered in oil slicks—the Cuyahoga river in Ohio caught on fire. This was the same time that Maine’s Androscoggin River was so polluted that vapors coming off it, supposedly caused the paint to peel off the sides of houses that faced it, inspiring Senator Ed Muskie to champion the Clean Water Act. It was the apex of industrial pollution in America.

A few states started to try to clean things up, but in Jim Phillips’ eyes, progress was too slow.

“Nobody seemed to care, well, he cared. And then he started demonstrating just how much he cared,” says Rob, “It cost people a lot of money when they found out just how much he cared.”

The stunts began to capture the attention of the media, starting with one stunt in particular. A few years after the first clogged drain at the Armour-Dial plant, the Fox took aim at the biggest steel producer in the country, which at the time had around 200,000 employees, US Steel.

“He collected together a big jar of the kind of stuff that they were dumping in the river. Just waste!” recalls Sandy Benhart, another niece. The Fox told newspaper reporters that he collected it from a drain that came directly from a US Steel plant in Gary, Indiana, and that he added some clams and fish for good measure. He also crafted a tiny coffin and laid three dead creatures inside: a perch, a crayfish, and a frog.

The Aurora Beacon News | December 23, 1970 | Page 1

Sandy actually accompanied her uncle on this raid. She says she, her mother, and sister Ginny all went into town on the train. “He preferred to operate legally, but nobody came and paid any attention, so he was absolutely a nervous wreck,” she remembers, “So Ginny and I were his cover.”

While they waited in the lobby, Jim went up to office of the company’s vice president, and declared “I am from the Fox Foundation for Conservation Education, and we have an award for US Steel for their outstanding contributions to our environment.” He then opened up the top of the bottle and dumped its contents on the lobby’s white shag carpet.

The stunt grabbed headlines all across the country, and the Fox had cemented his place in history.

A Widely Held Secret

The stunts kept coming. He took to hanging big signs in public spaces, shaming polluters: one was on a famous Picasso statue in downtown Chicago, another was a banner on a big railroad bridge. He put caps on industrial chimneys. He would hang dead skunks in the offices of CEOs.

After these raids, Jim Phillips would call the press. He would talk to them using a harmonizer to disguise his voice. He even spoke with television journalists.

These reporters kept his confidence. His campaign was covered by a nationally syndicated columnist, Mike Royko, who was very sympathetic to the cause. Royko wrote that he would receive angry phone calls from executives at the affected companies who would quote: “sputter and threaten lawsuits and demand to know who this dangerous character was.”

Later, Phillips got a job with the local branch of the EPA, which then meant he would sometimes be called as an official source by the same reporters who he had called to notify about a raid. You can still find articles where he is quoted twice, once as the Fox, and then later as a “Kane County environmental officer.” It’s unclear if some of these reporters knew what they were doing, or if this was simply serendipity.

But Royko never told. Nor did anybody for that matter.

“There were sometimes where he had to break windows on companies to put a sign in, or throw a skunk juice in there, and he would leave a money order to repair the window.”

— Jim Spring

For the nieces and nephews, when they were small, they were kept in the dark, but as they got older—usually around age 13—they each found out. “When we were little, I remember I was told it was Dick Young, who was his boss at the EPA in Kane county,” says nephew Jim Spring, “He just lied right to me.”

Jim Spring learned the truth by accident, after his junior high science teacher said they would get to talk to the Fox over a phone link-up, and Spring recognized his uncle’s voice. (As a side note, just think about this for a moment: Phillips was committing criminal acts, and high school teachers were asking him to speak to their classes.)

Article about the Fox in which Jim Phillips, a.k.a. the Fox is quoted. | The Aurora Beacon News | July 27th, 1984 | Page B4

It was in some ways, an open secret: kept widely, but still, somehow, closely. Phillips used to say that if he ever crossed the line, he’d be arrested the next day, because so many people knew who he was. This group included members of the local police department, who would occasionally help him on his raids by leaving notes in a bottle in a certain tree stump, notifying him of where and when security patrols would pass by his targets.

The Fox was not universally adored—you can find letters to the editor in the newspaper on both sides of the issue—but for three whole decades, his secret never found its way into the hands of people who would prosecute him. He was even caught by the police twice, read his rights, but never charged.

“There were sometimes where he had to break windows on companies to put a sign in, or throw a skunk juice in there, and he would leave a money order to repair the window,” says Jim Spring.

After his famous raid on the offices of US Steel, he heard that the odor of the effluent he poured on the carpet had made the secretary feel nauseous, so he sent her flowers.

Over time, the Fox’s raids became lower profile, and he dropped out of the limelight. But Jim Spring and Nancy Spring-Epley still remember the last raid they helped their uncle with, in 1988. They crossed a river, broke a window, and squirted a syringe-full of a chemical used in stink bombs into the headquarters of some small-time polluter.

Once he got back home from the caper, Jim Spring says he was shaking, couldn’t sleep and had to get himself a glass of scotch. “I remember thinking, ‘I’m married, I have a mortgage. There’s no way I can deny any of this.’” He recalls. “This is no longer a fun thing a teenager does with Uncle Jim; this is what adults do to fight corruption.”

But even as the Fox was winding down, others were picking up the baton of radical environmental activism. And some of them had very different ideas about how to get their message across.

Eco-radicals Rising

One night in October of 1998, eight fires erupted all across the ridges and peaks of Vail Mountain Resort. The fires went up one after another: snack-bars, chairlifts, and the largest building—the one that the news helicopters would circle around for hours as it went from a small blaze, to a structure fire, to eventually a smoldering pile of cinders—the Two Elks Lodge.

Immediately, investigators suspected arson, and found a trail of footprints from someone who ran down the mountain, following the path of where each fire was set. They found evidence that the fire had been set using five-gallon buckets full of diesel and gasoline. A few days after the fire, they learned they were right. An anonymous email, sent to a local radio station, said the fire had been set by a group called the Earth Liberation Front. They said the fires were set to protest the ski area’s expansion into an area they claimed was lynx habitat.

But after that, the trail went cold. For years, no arrests were made.

By some accounts the Fox was the first environmentalist who was willing to go outside of the law to try to make his point, but he certainly wasn’t the last. Not long after came Greenpeace, filming their confrontations with whaling ships and nuclear weapons testers. And then there was Edward Abbey’s Novel the Monkey Wrench Gang, in which a team of misfit eco-saboteurs traveled around the west, destroying billboards, disabling bulldozers, and destroying bridges. The book inspired groups like Earth First! (which is always written with an exclamation point, by the way) to start doing things like hammering clandestine metal spikes into trees that would damage loggers’ chainsaws if they tried to cut them down. And if you follow this lineage all the way to the end, or at least what so far has effectively been the end, you find the group that set fire to the lodges in Vail: the Earth Liberation Front.

The ELF had a things in common with terrorist organizations: they operated in cells, which were organized individually, not directed by some top-down central office. They didn’t know who the members of other cells even were. The most active groups were in the Pacific Northwest, and they targeted companies who they believed were doing environmental harm, including meat-packers, timber companies, SUV dealerships, and biotech research labs. They made sure that these buildings were unoccupied, so no one was ever injured, but they caused massive property damage. They watched as timber companies harvested stands of old-growth forest with 500 years old trees, and felt that the action happening through official channels wasn’t working.

“To them, they say this as if somebody were knocking down Notre Dame, just destroying something that’s completely irreplaceable and sacred,” explains Marshall Curry, director of the Oscar-nominated documentary, If A Tree Falls: The Story of the Earth Liberation Front.

The Earth Liberation front succeeded in one way. They got headlines. Those headlines, though might not have been the ones they were hoping for. While the Fox was seen as a vigilante, the ELF were branded Eco-terrorists and virtually every story about them led with this term.

“My understanding is that that was actually a term that was coined by Ron Arnold, who was kind of a spokesman for the extraction industries, and was famously quoted as saying he wanted to destroy the environmental movement,” says Curry. “It’s an incredibly clever term because it rolls off your tongue and it sticks in your ear just like the best marketing campaigns.”

This term may also have stuck because visually, their actions looked a lot like terrorism. Images of multi-million dollar ski lodges in Vail being turned into smoldering holes in the ground, or of Hummers exploding as fires reached the gas tanks, attracted news camera crews like moths around a campfire. Despite the careful avoidance of casualties, the group was perceived as violent extremists.

And this perception undermined their success.

“It’s an incredibly clever term because it rolls off your tongue and it sticks in your ear just like the best marketing campaigns.”

— Marshall Curry

“I spoke to people in Vail who were part of the protest movement against the expansion of the ski resort in Vail. And they told me they had built a really great coalition there of old lady bird watchers and yuppies who wanted to ride their mountain bikes and crunchy old hippies and scientist environmentalists... and that when the fire happened there, suddenly everybody said, ‘oh jeez, I don’t want anything to do with these crazies,’” Curry explains. “Suddenly the coalition completely splintered, the ski resort completely won the PR battle, and it completely undercut their support with the mainstream.”

Compared to the 1960s, when protesters of all kinds were taking to the streets and demanding changes of all sorts, the ELF was operating in the post-9/11 era: the time of the USA PATRIOT Act, and the War on Terror.

The FBI launched "Operation Backfire", where they managed to convince one member of the ELF to turn on his co-conspirators, and then travel the country wearing a wire, and getting them to incriminate themselves on tape. Thirteen men and women were arrested. Many turned state’s witness in exchange for avoiding jail time, but a few did not and were eventually convicted on a charge that included a “terrorism enhancement.”

So, Is this "Terrorism"?

Marshall Curry says the activists he spoke to maintain that their activities are closer to something like the Boston Tea Party, and call it “symbolic property destruction.” But at the same time, the victims of the arson felt differently.

“In their minds, the essence of terrorism is: are you trying to inflict fear on somebody,” says Curry, “They get a call in the middle of the night that suddenly their office or their factory or their life’s work has been burned up, and I have to say that if somebody lit my office on fire, and destroyed the only files of movies that I had been working on and sent a threatening communique, I would say that yes, that I would consider that to be terrorism.”

Terrorism has a legal definition, but it also has an emotional definition. Whenever I’ve told people about the Earth Liberation Fronts actions—arson, spray painting slogans on walls, using splashy media stories to try to get their message out—I watch their faces, and what I see is horror.

We can imagine our homes being burnt to the ground and our way of life being vilified, and that is terrifying. But is it terrorism?

Marshall Curry says the sister of one of the convicted ELF arsonists, who is not at all sympathetic with her brother’s cause, told him something that he will never forget. She says she grew up in Rockaway, in a neighborhood full of cops and firefighters, which was devastated with families that lost their fathers in 9/11.

“She said, ‘I know what terrorism feels like,’” says Curry. She says that to use the same word to describe what Al Qaeda did to those families to describe burning down an empty building, “is just a twisting of that word.”

But a judge disagreed. Based on the law, using ignition devices to light property on fire to convey an ideological message, that’s terrorism.

Both the Fox and the members of ELF were engaging in illegal activity. But these two stories feel very different. Somewhere between the Fox pouring caustic chemicals on the carpet of the corporate offices of a major manufacturer, or breaking a window to squirt smelly chemicals into a polluter’s building—somewhere between that and burning down a building, it seems that a line is crossed.

After this line society says: “That’s not a reasonable way of making your point.”

We can ask ourselves, if the Fox were to come back today, what would his community think? The same low-level law-breaking that was accepted in the era of the anti-Vietnam protests and the Civil Rights movement, might have been seen very differently in the early 2000s, right after 9/11. Maybe in post 9/11 America, his acts of small-scale industrial sabotage and vandalism would be seen as unpatriotic.

Jim Phillips’ had diabetes, and died in 2001 at age 70. It was only after his death that it became public that he was the Fox. Big newspapers all around the country, including the Chicago Tribune, but also the New York Times, and the Los Angeles Times ran an obituary, laying out his whole story. Once the secret was out, far from repudiating him, the community thanked him. They put a plaque with his symbol in a local riverside park.

There’s a question that we’ve been kind of dancing around, here.

Dumping waste into a river has an immediate, visible effect that can inspire outrage in a community. Meanwhile, the impacts of something like global warming are slow and harder to see. But on the other hand, for the first time those impacts are now on our doorstep.

Given the events of recent weeks—references to climate change getting scrubbed from the EPA’s website, government employees creating alternate twitter handles to broadcast facts about climate change, and the new administration stepping aside to clear the way for the Keystone and Dakota Access pipelines—it seems fairly clear that the US government isn’t about to do anything about climate change. So, what will environmentalists do about it?

As the possibility for action through official channels is beginning to close, we might be on the verge of seeing a whole new wave of copycats, or copy-foxes, as it were.

How will society receive them? I guess we’ll find out.

The Aurora Beacon News | June 13th, 1976 | Page 17

The Aurora Beacon News | January 22, 1980 | Page A5

Aurora Beacon News | April 9th, 1971 | Page 1

Outside/In was produced this week by:

Sam Evans-Brown with help from, Maureen McMurray, Taylor Quimby, Molly Donahue, Jimmy Gutierrez, and Logan Shannon.

Many thanks this week to Rob Winder from the Aurora Public Library in Illinois and to Steve Lord with the Beacon News for helping to fill in the gaps in the story of the Fox.

Music this week from Jason Leonard, Blue Dot Sessions, Podington Bear, El Palteado, and Jahzzar. Check out the Free Music Archive for more tracks from these artists.

Our theme music is by Breakmaster Cylinder.

Outside/In is a production of New Hampshire Public Radio.